Word: felted
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Dates: during 2000-2009
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...could hold true for everybody,” she said. Parise and co-writer Peter Stebbings used this idea as the inspiration for Jill. “She lives in every moment, takes risks, is messy, and is funny. She makes mistakes, she fixes them, and I felt like that was something everyone could learn from, myself included. That’s why we got involved with the Cystic Fibrosis Foundation.” When the film premieres in Providence on April 9, the event will double as a benefit for the Foundation. Parise said that working with the charity...
...ambivalent. While I would have loved to see one of my favorite bands recognized for their talent, I didn’t want it to be for a song so purely “pop” that it betrayed the honesty and rawness of their best work. I felt a similar ambivalence toward “Hard Candy,” the Counting Crows’ last studio effort from 2002, which featured more than the expected one-or-two radio-friendly pop/rock tracks. If in recent years it looked like the Counting Crows were at risk of alienating...
...coming out of this cocoon of having been a math nerd into a scene where I found myself actually standing in front of a vase of flowers in a dress with Jack ripping it down my back,” he said.Despite the embarrassment he felt at the time, Conrad said that he found this experience rewarding.“In retrospect it was a great experience—challenging, extreme, completely compromising,” he said. “At that moment I was intellectually engaged with trying to resolve ideas of what was to become minimalism...
...artistic flair, sometimes throwing in crayon drawings if he so desired. He soon realized that his talent exceeded that of his sister, and the newfound sense of superiority gave him a sense of self. Art became his tool for personal exploration. But Koons soon tired of this sentimentality and felt that he was revealing too much of his sexuality in his work. “I wanted to know about things outside myself,” he says. He found his answers in inflatable objects. Blown-up lobsters and bunnies somehow connect Koons to the external world. For example...
...first incarnation two years ago, is performed to a song by famed king of the tango Astor Piazzolla. Koch tried to pair the song with choreography that’s not explicitly tango-based, but that rather “evokes the weight” that she felt in the song.The show also includes a dance to the music of country singer Loretta Lynn by celebrated choreographer Trey McIntyre. Dramatic Arts visiting lecturer Ruth Andrien worked with the Harvard dancers in preparing Paul Taylor’s famous piece “Aureole,” which was seen...