Word: feminist
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...obscuring the stage...What if summer were different? What if the hottest season of the year flexed a bit less and cared a bit more? What if the months of July and August, at least when it comes to music, were a tad more feminine and a bit more feminist? What was it that Virginia Woolf wrote back in 1929? "A woman must have money and a room of her own if she is to write fiction." Might the same be true of pop music...
Call the new sound coffeehouse pop. It has a comforting warmth, a topping of sugary froth, and it provides a kind of buzz, like sipping a cappuccino in a corner cafe. It is led, mostly, by female singer-songwriters, writing primarily from a feminist point of view. On her hit song Bitch, Meredith Brooks declares that she wants to "reclaim a word that had taken on a really derogatory meaning." But ideology or no, these women are unafraid to celebrate their own sensuality. On the inside flap of her album, Jewel poses in a sexy yellow swimsuit...
...Lilith Fair should change it even more. McLachlan, in conceiving the event, drew inspiration from the proto-feminist Hebrew legend of Lilith, Adam's first wife. Unlike Eve, Lilith was not spawned from Adam's rib but was created by God out of dust, just as Adam was. But as soon as Lilith and Adam were joined together, they began to quarrel. Adam said: "It is your duty to obey me." Lilith replied, "We are both equal...and I will not be submissive to you." Set that last quote to music, and you'd have a fitting anthem for Lilith...
Brock also serves on the editorial board of the Journal of Feminist Studies in Religion...
...tapestry of early 20th century America, with historical figures (Harry Houdini, Emma Goldman) mingling with fictional ones like Coalhouse Walker Jr., the ragtime pianist turned antiracism firebrand. Composer Stephen Flaherty and lyricist Lynn Ahrens supply a score alternately catchy (the ragtime numbers) and affecting (a wife's proto-feminist lament, Back to Before). And director Frank Galati and choreographer Graciela Daniele have created stage pictures that are both lovely and thematically apt, from the exquisite opening dance in which three groups--blacks, immigrants and parasol-toting white society--circle one another warily, to J.P. Morgan on a walkway that slowly...