Word: fenno
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...real facts leading up to a concert which was asymmetric in that men and women represented Yale while only men represented Harvard. Considering that the only concert the Harvard Glee Club presents to the Harvard community as a glee club is the annual fall football concert, I wrote to Fenno Heath, conductor of the Yale Glee Club, on April 30 expressing my wish to keep this year's concert in the traditional style: a performance by tow glee clubs. It was my understanding at the time that the Yale Glee Club and the Yale Women's Chorus were two separate...
...Fenno Heath, president of the Yale Glee Club, said that after this issue was settled, the Harvard Glee Club conductor then refused to let them sing "Fair Harvard" at the end of the concert. Instead of both clubs singing both alma maters, Harvard vacated the stage leaving Yale to sing alone. In protest, the Yale men and women sang their alma mater arm-in-arm. The Harvard club then returned to stage and mimicked the Yale club, with an all-male version of the same stunt...
After studying the evolution of Cabinets from George Washington's first appointees onward, Political Scientist Richard F. Fenno Jr. wrote: "The Cabinet is the show window of the Administration, and a favorable reception for the group will be an asset the President can use to augment his own public image." Nixon obviously agrees with that lesson in history. He unveiled his creation as a unit last week, the first time that has been done since Woodrow Wilson's mass announcement in 1913-and the first time ever as a live television show...
...Palestrina's Supplicationes for main chorus and responsive small choir (which joined me in the Tibetan heights of the upper balcony) and proceeded to good performances of Holst's delightful Blacksmith Song and Dowland's beautiful Come Again, Sweet Love. Their part closed with a stupendously tedious arrangement by Fenno Heath of Donne's Death Be Not Proud. The Harvard Glee Club performed a less interesting program except for a mildly "modern" work by Thomas Beveridge. The Harvard group had a darker sound than Yale, better dynamic control, weaker top tenors, better phrasing, and better comic relief in the form...
...elsewhere. It is hard to understand how Villa-Lobos could have written a song with such dreadful, simple-minded rhythm as The Little Train; nor is it easy to see why Yale sang it, and a worthless Swiss yodel song as well. And to top it off, they sang Fenno Heath's settings of three Blake poems, which employ only the most common place harmonies and rhythms and convey little of the poems' meanings. Indeed, several of the Whiffenpoofs' own songs were more imaginative. Heath's arrangements of two American folksongs were better, but his programming does not exploit...