Word: fenollosa
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Dates: during 2000-2009
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...like Thomas Jefferson's, that could afford it. Commodore Matthew Perry's arrival in Tokyo Bay in 1853, which forced Meiji Japan to open itself to Western influence, led to a concurrent craze in Europe and the U.S. for all things Japanese. By the turn of the century Ernest Fenollosa and William Sturgis Bigelow, learned Bostonians infatuated with Japan, were assembling the great collections of furniture, scrollwork, carvings and prints that now fill whole galleries of the Boston Museum of Fine Arts...
...writing "fat and thin" characters, some bold and emphatic and others trailing to the faintest visual whisper, was peculiarly his own (at least among Japanese calligraphers) and difficult to emulate. His ability to work with space through writing struck his admirers as a marvel. Ernest Fenollosa, the great Boston connoisseur of Japanese art who did the most to introduce Koetsu to a Western audience at the end of the 19th century, went into raptures about it: "Such a unique feeling for spacing, placing and spotting has never elsewhere been exhibited in the world's art. Koetsu...
...writing "fat and thin" characters, some bold and emphatic and others trailing to the faintest visual whisper, was peculiarly his own (at least among Japanese calligraphers) and difficult to emulate. His ability to work with space through writing struck his admirers as a marvel. Ernest Fenollosa, the great Boston connoisseur of Japanese art who did the most to introduce Koetsu to a Western audience at the end of the 19th century, went into raptures about it: "Such a unique feeling for spacing, placing and spotting has never elsewhere been exhibited in the world's art. Koetsu...