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...pulsating scenes about him. No one is bewildered by Davidson sculpture. He builds no weird convocations of planes, no fever ish conceits of form. Like the sculptors of the Roman tribunes, his primary con cern is the search for character. The roster of Davidson subjects includes Anatole France, Feodor Chaliapin, Charles Gates Dawes, John Joseph Pershing, Wellington Koo, Woodrow Wilson, Marshal Foch, Georges Clemenceau. He went to the Versailles Peace Conference to see faces. When he forgot his pass he acted as a messenger in order to enter the hall where the intricate, fascinating lineaments of statesmen were gathered...

Author: /time Magazine | Title: Art: La Follette in Marble | 2/11/1929 | See Source »

...Balakirev and Cui were pioneers in the school of realism. Yet compared with the less Russian Tchaikovsky their fame has spread so slowly that even today outside Russia Moussorgsky is known for his Boris Godounov alone and that in the refined version of Rimsky-Korsakov made popular by Basso Feodor Chaliapin...

Author: /time Magazine | Title: Books: Moussorgsky | 2/11/1929 | See Source »

...Feodor Chaliapin Leon Rothier

Author: /time Magazine | Title: Music: Metropolitan Roster | 7/23/1928 | See Source »

...Feodor Chaliapin, famed basso profundo of the Metropolitan Opera Company, being entertained by the Berlin Actors' Club, was asked to amuse his hosts with a specimen of song. He arose but instead of singing, delivered a brief address on his life. "Sing, sing!" shouted the bad actors. Chaliapin drew a charcoal cartoon of himself which amused his audience but did not stop their demands for song. Chaliapin rose a third time, went through the motions of an aria, puffing his chest, swinging his arms, opening and shutting his mouth like a large Russian goldfish, without making a sound. After...

Author: /time Magazine | Title: People: Jun. 25, 1928 | 6/25/1928 | See Source »

...portraits, all in all, were the most interesting pictures. One Feodor Zakharov's which took the $300 Lippincott award, foolishly titled Reverie, showed a woman in a black dress leaning against the back of a sofa; in her right hand was a book she had been reading five minutes before. Since then, the furiously traveling train of her consciousness had rolled down a steep, delicious scenic railway of thoughts and remembrances. Now this train was coasting slowly toward a standstill; the lady's eyes were closed with enigmatic pleasure; her smile would surely have annoyed a clever husband...

Author: /time Magazine | Title: Art: On View | 2/20/1928 | See Source »

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