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...studios of Walt Disney Productions Ltd. at Burbank, Calif., Phil Dike is one of the more important ants. He is Disney's ace color coordinator. On the side, he paints water colors of his own. Last week Phil Dike had a one-man show at Manhattan's Ferargil Galleries. Technically expert, untroubled by surrealist neuroses, social struggle or pneumatic nudes, Dike's splashy water colors of mountains, windswept beaches, palm-plumed countryside were sometimes reminiscent of Japanese landscape prints, were as brightly lush as a Montecito bougainvillea...

Author: /time Magazine | Title: Art: Disney's Dike | 3/3/1941 | See Source »

...Ferargil Galleries showed the raw-colored, precise paintings of Georgian Lamar Dodd, one of the South's few good painters. The Boyer Galleries showed the kaleidoscopic water colors of Nathaniel Dirk, a camoufleur in World War I. In the Bonestell Gallery, Frenchman Jean Charlot, a founding father of the famed Mexican school, exhibited deceptively simple pictures of broad, squat peons and solemn babies. The Downtown Gallery had as fine a first one-man show as a crowded season has seen-Julian Levis serene, spacious paintings of the seaside...

Author: /time Magazine | Title: Art: American Challenge | 3/11/1940 | See Source »

...walls of Manhattan's Ferargil Galleries vibrated last week with things more colorful, more detailed, more precise and concentrated than their images would normally form in the human eye. Painter Audrey Duller Parsons, 33, had divided her second one-man show about equally between animate and inanimate objects, all of which seemed to have struck her with equal intensity. There was a broken statue with a clutter of dead fish, an antique sugar shepherdess, a dead duck. All these were painted with luscious tactile surfaces, every detail as important as every other...

Author: /time Magazine | Title: Art: Clean, Opulent World | 5/11/1936 | See Source »

Along Manhattan's 57th Street strollers last week spotted in the window of the Ferargil Galleries a carefully painted cutout figure of a sandwich man in a pot hat, holding a sign, just as they have done for 40 years, people wondered out loud whether the little man was not a colored photograph. There was only one person who could have painted it. After eleven years, white-haired, handsome Maxfield Parrish was holding an exhibition...

Author: /time Magazine | Title: Art: Domesticated Colors | 2/17/1936 | See Source »

...Showing a frightened Kansas family with children and farm pets rushing for a cyclone cellar, it won the $1,000 second prize at the Pittsburgh International Exhibition of 1933, was featured at the Chicago Century of Progress, has been widely reproduced. Last week Artist Curry's agents, the Ferargil Galleries, sold it to the Hackley Art Gallery of Muskegon, Mich...

Author: /time Magazine | Title: Art: Muskegon's Tornado | 6/17/1935 | See Source »

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