Word: ferberization
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...poets fail, the prosers have at least the virtues of detail and traction. Sir James Barrie, Edna Ferber, Bess Streeter Aldrich, Theodore Roosevelt, Jane Austen, Charles Dickens, John Galsworthy, John Donne, Abraham Lincoln, Pearl Buck, Eve Curie and some score of others all contribute their tones of voice. Few of them have much of value to say, and only two of them-Donne and Curie-say it with any nobility; but at least they mesh with their material...
When The Players revived it in Manhattan in 1933, Critic Percy Hammond claimed he detected tears in the eyes of such sophisticates as Edna Ferber, Rollin Kirby, Katharine Hepburn...
...avoid collisions. It is also geared to let the other fellow's personality, rather than Kaufman's, permeate the play. What colors Beggar on Horseback, for example, is the pleasantly housebroken imaginativeness of Marc Connelly; what colors The Royal Family is the romantic bustle of Edna Ferber. The plays Kaufman has written with Moss Hart are better fused because, as comic playwrights, the two men are cut to much the same pattern...
...together. From start to finish, a play takes anything from five weeks (You Can't Take It With You) to seven months (The Royal Family), depending on the trouble it causes and the make-up of Kaufman's collaborator. Kaufman & Hart usually work much faster than Kaufman & Ferber...
...most successful comedy writer of his generation, Kaufman talks, half-vaguely, half-excitedly, of writing a really serious play-a play about Jews which he and Edna Ferber have been turning over in their minds for the past five years. Then, distinctly as an afterthought, he maintains that he has written two serious plays already-Merrily We Roll Along, in 1934, and last season's The American...