Word: fergieã
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...part to its refreshing quirkiness. “Wind It Up,” on the other hand, is so over the top that its eccentricity seems forced, as if trying (and failing) to match the success of her previous hit as well as to keep up with Fergie??s copycat “London Bridge.” “The Sweet Escape” maintains the distinct sound of Stefani’s previous release—high on production, low on melody, almost gleefully noisy. But instead of the genuinely original rule-ignoring sensibilities...
...finer points of getting wound up. And the performance finishes with a troupe of raucous, Austrian incarnations of the Harajuku girls popping and locking. After having “awesome visuals” forced down my throat by the last pop princess’ over-the-top-extravaganza (Fergie??s “Fergalicious”), Stefani’s comparatively minimalist approach is like a breath of fresh, Alpine air. Gwen never seems to take herself too seriously, and thankfully, neither does this video. The result is highly motivational—it’s impressive...
Fergie “Fergalicious” Dir. Fatima Robinson What do you get when you cross Candy Land with an overtly sexualized one-time child actress turned ghetto-funk star? Fergie??s new video “Fergalicious” is Willy Wonka’s wet dream. Fergie prances through candy-cane forests and lollipop trees wearing the flouncy frocks that remind us of childhood—except they are a whole lot shorter than you remembered. She later titillates with the most revealing girl-scout costume you’ve ever seen. In the words...
...we’re going to talk guilty pleasures, though, it’s all about “My Humps,” a five-and-a-half minute ode to singer Fergie??s ass. It demands that you dance, even (perhaps especially) if you’re alone in your room and features lines such as “If you touch it, I’m-a start some drama/You don’t want no drama...
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