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...Records, shows less propulsive violence than the first, Santana. What it offers instead is a rare poetic delicacy. Rhythms move in parallel layers, interrupting, overlaying, penetrating one another, multiplying into mathematical complexity, finally merging into one overwhelming musical thrust. Unlike many rock groups, Santana uses lyrics rarely, avoiding cultural ferment in favor of musical bite. Though it offers an occasional vocal solo (as in the bluesy Hope You're Feeling Better), most of its featured solos are on electric guitar, organ or electric piano. Outwardly innocent, Santana's instrumental solos are long-lined and full of musical guile...

Author: /time Magazine | Title: Music: Latin Rock | 9/21/1970 | See Source »

Restoration comedy is the strongest single argument for closing down a nation's theaters for a generation. Repression fosters a ferment of expression. The parched worship water. The starved adore food. The zest of Restoration comedy is that it is a theater of appetite. It is based on what Louis Kronenberger has called "our three great hungers -vanity, money...

Author: /time Magazine | Title: Theater: Were Man but Wise | 2/2/1970 | See Source »

Still, there are impressive signs of undergraduate intellectual ferment in Providence...

Author: By Mitchell S. Fisherman, | Title: Curriculum Reform at Brown: Part II | 1/17/1970 | See Source »

...Such, ferment in the seminaries indicates that the church has any number of options. The suggestions from the schools?and from ghetto, pulpit and cloister?are broad: team ministries, part-time ministries, specialized ministries; elaborate celebrations, informal rituals; large, united churches, small groups. Some forms that now seem incompatible may well come to live side by side. Most of them are already being tested by ministers even...

Author: /time Magazine | Title: THE NEW MINISTRY: BRINGING GOD BACK TO LIFE | 12/26/1969 | See Source »

...against the poetic domination of Eliot was expressed by Peter Viereck in a parody of Prufrock: "Today the women come and go Talking of T.S. Eliot." Jonathan Culler, in his introduction to the Centennial Anthology, described a magazine that had "stayed Georgian ten years too late during the poetic ferment of the twenties"; the poets who found themselves at Harvard after the close of World War II, nearly thirty years later, had no patience with these traditions. Led by William Carlos Williams, poets like Ashbery, Kenneth Koch, and later Frank O'Hara argued over the conventions of American prosody, while...

Author: NO WRITER ATTRIBUTED | Title: The Advocate Rumors of Grandeur | 11/24/1969 | See Source »

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