Word: fernand
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Dates: during 1950-1959
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...Pont-l'Evéque were an unimaginative crew-mostly drunks, chicken thieves, wife-beaters and petty racketeers-and their prison life was as dreary as their crimes. Then, on a certain hot afternoon in July, a new warden took over. Pert as a pouter pigeon, rotund little Fernand Billa was a jailer less interested in penology than in poetry and strong pastis (a variant of absinthe). With plenty of verses and good drink to hand, Billa could find even a prison wilderness paradise enow...
Palestrina to Berlin. The French, numbering 32 boys, wore knee pants and white stockings for the secular half of their program (seven, whose voices had changed, wore long pants), switched to white robes for sacred songs. They performed both with easy professionalism. Led by greying, bearlike Monsignor Fernand Maillet, 59, they bubbled with lighthearted precision in such frolics as Frère Jacques and Alouette, brilliantly worked their way through a difficult cantata written for them by Darius Milhaud, and spun out an incredibly pure, otherworldly tone in the age-old Gregorian chant, Tenebrae Factae Sunt...
...versions), was found in an antique-dealer's attic, was his name even known. The similarity of his work to Henri Rousseau's and a new appreciation of primitives, quickly placed Hicks as one of the most original of early American artists: the late French Painter Fernand Léger called him "the finest American of them...
...Died. Fernand Léger, 74, French "machine-age primitive" painter; of a heart attack; in Gif-sur-Yvette, France. Regarded as one of the masters of School-of-Paris art, Leger (rhymes with beige-hay), the son of a Norman farmer, went to Paris in 1898 to study painting, earned his living as a photo retoucher. In 1910 he experimented with and abandoned the cubist techniques of Braque and Picasso, was later influenced by Primitivist Rousseau, moved on to a preoccupation with quilt-like color patterns, bunchy human figures in machine-like forms. After living...
...each artist, rather than the ten or more works which a jury expects to see before granting top honors. Bent on "making up for the injustice at Venice" last year, the ten-man jury gave the $4,000 grand prize to France's aging (74) modernist master, Fernand Leger (TIME color page, June 22, 1953- see cut), then bypassed 29 works by topflight British Painter Graham Sutherland to hand the next prize of $1,300 to Italian Abstractionist Alberto Magnelli...