Word: fernand
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...DIED. Fernand Braudel, 83, eminent French historian and leading practitioner of the Annales school, or "new history," an approach that focuses on climate and geography, sociocultural processes and accounts of everyday life and thought, and downplays the roles of great men and political events, which he labeled "surface disturbances, crests of foam that the tides of history carry on their strong backs"; in Saint-Gervais, France. Through two masterworks, his classic The Mediterranean and the Mediterranean World in the Age of Philip II (1949) and the three-volume Civilization & Capitalism 15th-18th Century (1979), and his editorship of the journal...
...traded in wanderlust: "Lisbon Antigua" (by Raul Portela, Jose Galhardo and Amaduedo Vale, recorded by Nelson Riddle), "The Poor People of Paris" (Marguerite Monnot's "La Goualante De Pauvre Jean," covered by Les Baxter), "Never on Sunday (Manos Hadjidakis), "Petite Fleur" (composed by expatriate jazz lion Sidney Bechet and Fernand Bonifay, and a 1959 hit for Chris Barber...
Jared Diamond's Guns, Germs and Steel, Fernand Braudel's The Perspective of the World, and Philip Curtin's The World and the West will be studied, as well as works by Adam Smith and Max Weber, among others...
Colescott began his career as an abstract artist. In 1949, at a fairly young age, he left the United States for Paris to study with Fernand Leger, who was by that time working in quite a representational manner. Leger convinced Colescott that abstraction was not the most effective means of communicating to people. Colescott eagerly adopted Leger's more figurative style in an effort to attract his attention...
...versions of the Slaves and Captives abound in his work. The dream-suffused character of the art of Burne-Jones won him a following on the other side of the Channel by connecting him to painters in the stream of French and Belgian Symbolism: Gustave Moreau, Puvis de Chavannes, Fernand Khnopff. Burne-Jones' morbid hypersensitivity was what made him a genuinely advanced figure in Symbolist eyes, and it is the trait that is bringing him back into popularity today, now that "heroic," confrontational Modernism is losing its mandate in our fin de siecle...