Word: fernands
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...Fernand Leger standardizes the human forms with assembly-line monotony. The people of his "Multicolored Acrobats" do not show the exposed cranks and gears of Ernst's animal. Rather, the smooth, curved limbs and torsos have all the sleek, internalized mechanization of an IBM Selectric...
...against the grindstone of congressional pressures" to end the war on almost any terms. In this situation, an unprecedented four-day secret session was convened on Sunday morning, Oct. 8. The critical meeting was held in a house in suburban Gif-sur-Yvette, once owned by the French artist Fernand Léger and still adorned with his Cubist paintings and tapestries. Around noon, after Kissinger had laid out the essentially unchanged U.S. position, the North Vietnamese requested a break until four that afternoon...
...FERNAND, LOUIS, AND ALEXA are simply three people who live in a run-down suburban house; each has joys and sorrows outside of the commonly shared bedroom. A darkly handsome man, Fernand (Sami Frey) exists as the pivot. He is the one who cooks, cleans and generally maintains order amid chaos. The shock of seeing this massive embodiment of conventional virility doing the "family's" mending is dissipated by Fernand's softness of manner and voice. It is his nature to be a gentle, mothering person. This overflowing warmth has been cruelly diverted away from his own children because their...
...MOVIE attacks the very foundation of the established moral order; the man-woman unit is outdated according to Serreau. Fernand meets and falls in love with a delicate blonde, Sylvie. Their impossibly romantic meeting is right out of 1930 s screwball comedy. Everything seems perfect--she's beautiful, rich and looks like Carole Lombard; he's handsome, poor and resembles Clark Gable. After an idyllic ten days together, they return to the suburban house where Alexa and Louis have been anxiously waiting. Suddenly, things change. The steady current of attraction no longer flows in a closed circle around Fernand...
...well; her film is beautifully cast, well-written and technically flawless. But her approach has a gaping hole in it. The skill with which she sensitively portrayed those outside of society apparently vanished when she was called upon to portray those within. To emphasize just how happy and fulfilled Fernand, Alexa and Louis are, she reduces the film's "straights" into one-dimensional jokes. Fernand's ex-wife is a case in point. She sports grotesque polyester clothes, has a permanent Pat Nixon hairdo and screams continually at her children. Her voice grates across the screen like razors...