Word: ferrara
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Dates: during 1960-1969
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Despite such shortcomings, Princes of the Renaissance offers modest rewards, as it could hardly fail to do considering the richness of the period. Even the statistics in such a book can be intriguing: the 800 mistresses of Niccolo d'Este, the Marquis of Ferrara (one cannot help wondering who counted them); the 2,000 oxen and 80,000 fowl reportedly consumed at the two-week wedding feast for Niccolo's son Leonello and Maria of Aragon; the 200 souls trampled to death in a traffic jam on Rome's Sant' Angelo bridge during the 1450 jubilee...
...enroll in conducting courses, so he practiced with amateur orchestras around London. When he approached Sir Adrian Boult, the doyen of British conductors, Boult offered to become his patient if he would stick to medicine. Instead, Bialoguski took a master class in conducting with Franco Ferrara in Siena, Italy. Eventually, Boult let Bialoguski rehearse the New Philharmonia in Beethoven's Prometheus overture. He did so well that the orchestra agreed to last week's concert...
...needed $72 million loan in a shrinking capital market, Faina skipped a dividend for only the second time in 18 years, looked around for other relief. He found it in a partnership under which the Royal Dutch/Shell Group put up half the cost of Montecatini petrochemical plants abuilding at Ferrara and Brindisi...
Contemptuous Enclave. The Finzi-Continis are proud, pretentious, cultivated Jews, living in world-weary isolation behind the walls of their vast estate, which survives like a verdant enclave in the provincial city of Ferrara. Father Ermanno is an aging scholar-gentleman who has passed his life in obscure antiquarian studies, and who regards the Fascists with courtly contempt. Mother Olga is an aristocratic wraith who lives only to mourn the death of her six-year-old child. Son Alberto is a languid dilettante. Daughter Micol is a beautiful, spirited intellectual who cannot bring herself to escape the family...
Fascinated by this elegant, decadent little world is the sensitive, literary son of a freethinking, middle-class Jewish doctor. Gradually, as Fascist racial laws isolate and draw together the Jews of Ferrara, a tenuous intimacy develops with Micol. She leads him on, rejects him; leaves Ferrara, returns. He haunts the house, pursues her by phone, abuses and amuses and even makes love...