Search Details

Word: ferren (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Teams from the Debate Council and Cambridge University in England will debate this afternoon via trans-Atlantic cable. Arguing in a semi-humorous vein on "Resolved: That this house thanks God for the Atlantic," will be James Lorenz '60, John Ferren '59, and Gregory M. Harvey '59 for Harvard...

Author: NO WRITER ATTRIBUTED | Title: International Debate | 2/26/1959 | See Source »

Crimson debaters defeated entries from 24 other colleges to take first place in the annual Tufts University Invitational Debate Tournament which ended Saturday. David L. Bynum '59 and John M. Ferren '59 were the members of the winning team...

Author: NO WRITER ATTRIBUTED | Title: Debaters Take First | 12/8/1958 | See Source »

Bynum, who was voted the best speaker in the competition, and Ferren went undefeated in five preliminary rounds before winning a unanimous decision from Dartmouth in the final round. The debate topic for the tournament, one of the largest in the New England area, was "Resolved: That the future development of nuclear weapons shoull be prohibited by international agreement...

Author: NO WRITER ATTRIBUTED | Title: Debaters Take First | 12/8/1958 | See Source »

...winners (see color page), unanimously chosen by a three-man jury:* first prize ($1,500), Manhattan Abstractionist John Ferren, 52, for his The Birches; second ($750), Social Realist Semyon Shimin, 55, for his Discussion Groups-Rome, sketched in Rome during the 1956 elections but finished in Manhattan; and third ($250), Milton Goldring, 40, also a New Yorker, for his Shadow and Substance. The predominant tone of the festival is abstract expressionist, and imitative of the leaders of that movement...

Author: /time Magazine | Title: Art Town, 1958 | 8/18/1958 | See Source »

...pioneers in U.S. abstraction, John Ferren, says the movement began as an instinctive agreement on a set of negatives. The painters turned against regional painting ("The Iowa farms painted by Grant Wood seemed to us like dream fantasy images'"), against the rigid structure of cubism, the cliché-ridden images of surrealism-and against the Government-commissioned mural painting of WPA. Above all they were revolting against the awesome dominance of Paris painting and the long shadow of Pablo Picasso. They were searching for something new, not as a school, but as individuals following nearby paths in the same...

Author: /time Magazine | Title: Art: American Abstraction Abroad | 8/4/1958 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | Next