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...color photography, and Kirk Douglas rarely gets in the way. Anastasia makes little out of a lovely thing, but Ingrid Bergman is superb. Helen Hayes and Yul Brynner wander in and out every now and then. At RKO Keith. The Great Man is dead. Long live his greatness? Jose Ferrer snoops around tensely, and says no. A tidy film. At the Beacon Hill. Baby Doll doesn't deserve all the publicity but contains three brilliant performances--by Eli Wallach, Karl Malden, and baby-blond newcomer Carrol Baker. Kazan's direction is outstanding, but Tennessee Williams' contributions to the film...

Author: NO WRITER ATTRIBUTED | Title: WEEKEND EVENTS | 2/16/1957 | See Source »

...technical aspects of the film reveal the great resources on which Hollywood can draw if it will only use them with a minimum of pretentiousness and a maximum of intelligence. Jose Ferrer's direction points the camera at its subjects in a series of biting close-ups, and his performance as the reporter clearly underlines the newsman's disgust at the facts he uncovers. The supporting cast is also excellent, without any exception. Keenan Wynn gives a particularly fine performance as a sardonic and unprincipled executive, and former television comedian Ed Wynn presents something of a small acting...

Author: NO WRITER ATTRIBUTED | Title: The Great Man | 2/14/1957 | See Source »

...scarcely surprising that the actors failed to do much with their inept material. Audrey Hepburn looked lovely as usual, but her talents as an actress were confined to delivering an occasional shy smile. And Mel Ferrer once more exhibited his really astonishing capacity for looking bored. The one man who might have rescued the show from tedium, Raymond Massey, was not allowed to do anything but sneer in his role as Prime Minister. To be sure, they all appeared quite handsome in their fine uniforms, which were broadcast in color, but it is still very tempting to suggest that they...

Author: By Thomas K. Schwabacher, | Title: Mayerling | 2/5/1957 | See Source »

...dramatic show in the history of television. The advertisements and a cover story in Life magazine loudly proclaimed that sponsor RCA and producer Anatole Litvak had spent half a million dollars to restage Litvak's screen success of twenty years ago, and that Audrey Hepburn and her husband, Mel Ferrer, had been hired to perform in it. After it was all over, however, the ad men would have had a difficult time convincing anybody that Mayerling was anything but a monumental bore...

Author: By Thomas K. Schwabacher, | Title: Mayerling | 2/5/1957 | See Source »

Producer's Showcase (Mon. 8 p.m., NBC). Anatole Litvak's $500,000 Mayer- ling, starring Audrey Hepburn and Mel Ferrer as the star-crossed lovers (color...

Author: /time Magazine | Title: TELEVISION: Program Preview, Feb. 4, 1957 | 2/4/1957 | See Source »

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