Word: ferreri
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Dates: during 1960-1969
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Attempting to give his film some metaphorical importance, Director-Scenarist Marco Ferreri heavy-handedly presents the balloons as sexual, global and H-bomb symbols. To little avail. By the time Mario decides that his problem is insoluble and defenestrates himself in despair, the viewer will have long since discovered that he has been trapped inside a movie very like a balloon: filled with nothing but air and stretched to ultimate thinness...
...WOMAN. Italian Director Marco Ferreri fashions a superb parable of man's inhumanity from this squalid tale about a fast-buck promoter who meets, marries and makes a freak show of a girl (Annie Girardot) covered from head to toe with brown silky hair...
...WOMAN. Italian Director Marco Ferreri creates a sublime parable of man's inhumanity out of this squalid tale about a fast-buck promoter who meets, marries and makes a freak show of a girl (Annie Girardot) covered from head to toe with brown silky hair...
...fury make furious fun, but of the film as a whole Director Marco Ferreri (The Conjugal Bed) makes something more significant and affecting: a fable in which all the creatures that look human are really beasts, and the creature who looks beastly is the only one who is really human...