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...Vitali's music while steadily growing in complexity. Arien des Orpheus is an elegiac suite from his full-length ballet Orpheus, based on the Greek myth. And in Barcarola, a darkly impressive work for large orchestra, Henze imaginatively and theatrically depicts the gloomy world of Charon, the ferryman of dead souls across the river Styx. On display in each were Henze's command of orchestration, his sturdy sense of musical architecture and his unerring ear for effective sonorities...

Author: /time Magazine | Title: Music: Marxist Art, Capitalist Style | 12/7/1981 | See Source »

Next morning, Gargan and Markham joined Kennedy at the inn. They returned to Chappaquiddick at about 9 a.m. and entered a shack near the ferry slip, where Kennedy tried in vain to phone a family friend, Attorney Burke Marshall. At that point, Ferryman Richard Hewitt asked if they knew about the wrecked car, which had been discovered by some fishermen. Hewitt later testified that Markham replied, "Yes. We just heard about it." Only then did Kennedy go to the police station and report the accident...

Author: /time Magazine | Title: Nation: A Night That Haunts Him | 11/5/1979 | See Source »

...Frank H. Ferryman Dallas...

Author: /time Magazine | Title: Letters, Jul. 4, 1977 | 7/4/1977 | See Source »

Jesus (Stanley Ferryman) is mute throughout the musical, but as he is brought down from the Cross in a sculptured pieta, his body speaks the moving language of anguish. Dual aspects of Mary's character are depicted by Salome Bey and Mabel Robinson. An electrifying showstopper is provided by Delores Hall, who seems to be AWOL from the heavenly choir as she sings I Love You So Much Jesus. That is really what this luminous show is all about...

Author: /time Magazine | Title: The Theater: Oh, When the Saints... | 1/24/1977 | See Source »

...fortunate, for it needs the best possible performance to come off at all. The singers are unusually attentive to the pronunciation of the English libretto and project their parts with authority. Special mention should be made of David Evitts, who gives an intensity to the role of the Ferryman which surpasses even the excellent work of the other principals: James Paul, Robert Toren, Martin Kessler, and the talented boy soprano William Wright...

Author: By Ralph Locke, | Title: Music The Play of Daniel and Curlew River | 4/30/1970 | See Source »

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