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Word: fest (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...with local bands is due in large part to the importance of community in the DIY scene, which RH attempts to foster and preserve. “We try to pay special attention to the local scene, both in what we play on air and in putting together RH Fest, just because what constitutes a DIY community is so much based on local scenes,” Humphreville says...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Hardcore Harvard | 4/24/2009 | See Source »

...With people like Rojas and Sanneh in mind, Baron organized the first Record Hospital Fest in 2002 in part to create a greater connection with the Boston scene. (He also hoped to give RH a bigger name and “just wanted to see these bands play.”) Though Baron held the first RH Fest at Tufts, the Harvard campus has hosted it—and several other shows—since then. Thanks to Baron, influential Boston screamo band Orchid played their final show at The Harvard Advocate. So many people showed up that the band...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Hardcore Harvard | 4/24/2009 | See Source »

...FEST...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Hardcore Harvard | 4/24/2009 | See Source »

...That diversity was on full display two weeks ago at this year’s RH Fest. Around 100 people circulated through on each of the nights, the first of which was held at The Advocate, the second at Holden Chapel in Harvard Yard. Appropriately for a DIY show, the only monetary compensation the bands received was to cover the costs of transportation...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Hardcore Harvard | 4/24/2009 | See Source »

...Fest opened with the three-chord garage rock of Thick Shakes, which quickly gave way to the long, intricate, feedback-heavy compositions of Life Partners. Exusamwa combined manic punk with a performance art aesthetic—Sawyer spent the entire set in a wheelchair, her face bandaged and her voice howling, while her bandmates all wore red-stained OR scrubs—and Quits played experimental noise music. Daniel Striped Tiger played a cleaner, jazz-infused brand of post-hardcore, while L’Antietam’s heavier, more distorted songs featured complex tempo changes and polyrhythms. The audience...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Hardcore Harvard | 4/24/2009 | See Source »

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