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Construction has a prodigal stepson for which a real feast is spread about once a generation, usually combined with war: shipbuilding. And 1940 was its festal year. For Admiral Stark's two-ocean Navy, shipyards launched a naval vessel every twelve days; few were the Washington glamor girls who had not smashed a bottle on a prow. The Maritime Commission at year's end had 932,000 gross tons of merchant shipping under construction, was launching a vessel a week (last week's: the 17,500-ton Rio Parana, for New York-South America service). The venerable...

Author: /time Magazine | Title: 1940, The First Year of War Economy | 12/30/1940 | See Source »

Visitors to New York City this summer may banquet on fine art until they bust. The Metropolitan Museum has lavished its space, taste and scholarship on "Life in America" as artists have seen it through 200 years (TIME, May 8). The new, glassy Museum of Modern Art holds a festal exhibition of "Art in Our Time" (TIME, May 22). At the World of Tomorrow, 1,214 examples of "American Art Today" show contemporary ferment among U. S. artists; not far away are hung 400 serene successes by Old and still Older Masters (TIME, June 26). To assemble all this took...

Author: /time Magazine | Title: Art: Newark & Dana | 7/10/1939 | See Source »

...short life of Christmas trees and their festal market has inspired produce dealers to describe this sideline to their business as "the greatest of crapshooting games." Greatest U. S. Christmas crap-shooter was a Manhattan jobber named George Blanck, who cornered the market in 1916. He was supposed to have made $100,000 that year. In Portland, Me. people still talk about old Edward K. Chapman, who was for years a towering figure in the Christmas tree trade, although he never gave a Christmas present in all his life. Bearded as snowily as Santa Claus and a lover of balsam...

Author: /time Magazine | Title: Business: Trees | 12/7/1936 | See Source »

...llama, antelope, the emu and the gnu. These are but outward show. Within the palace portals is a treasury of Art that brings the value of their new-found home to $15,000,000: a Great Hall, where 150 trenchermen may dine on 16th Century refectory boards beneath the festal banners of Siena; six Gobelin tapestries which cost $575,000; carved ancient choir stalls; the bed of the great Richelieu for guests; $8,000 vases; gold dinner plates and paper napkins; a ping-pong table of medieval wood; a lavish theatre, where each night is shown the latest talking picture...

Author: /time Magazine | Title: The Press: Hearst | 5/1/1933 | See Source »

...Geddes' vitality and versatility seem sufficient to permeate even so vast a project as Chicago's. He is donating his services and he contemplates the work with a festal excitement which no salary could induce. Architects and designers enjoy world's fairs as spectacular outlets for their creative urge, and this time Chicago will not tolerate a stale display of plaster-of-paris Classicism, bad Byzantine and garbled Gothic. The architecture will be 20th Century in spirit and detail...

Author: /time Magazine | Title: Art: Geddes at the Fair | 3/4/1929 | See Source »

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