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Word: fetishized (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...what? Somerset Maugham himself thought the original film version of his novel Razor's Edge could run as a comedy, but Murray and Director John Byrum exude the fetish for self-seriousness of a philosophy student and the free-floating silliness of a circus clown...

Author: By Clark J. Freshman, | Title: Big Mouth Finds the Meaning of Life | 10/27/1984 | See Source »

Brzezinski assailed both of the Presidential candidates' defense programs, calling "unsophisticated" Walter F. Mondale's support for a nuclear freeze and terming President Reagan's "Star Wars" defense scheme unrealistic. Mondale takes arms control and "elevates it to a fetish," he added...

Author: By Barbara H. Dobrin, | Title: Brzezinski Urges Two Parties To Cooperate on Foreign Policy | 10/24/1984 | See Source »

Underlying the problems of California's vintners is the general stagnation in U.S. wine sales. Says Ann Clurman, a social-trends researcher for Yankelovich, Skelly & somewhat." White: The fetish "Wine for has lost fitness, its along status with increased minimum drinking ages and stiffer drunk-driving laws, has stalled U.S. adult per capita wine consumption at about 2.2 gal. annually...

Author: /time Magazine | Title: California's Grape Depression | 10/15/1984 | See Source »

...artists, and Picasso most of all, were enthralled by the associative power of the fetish. The otherness of tribal art was infinitely compelling, and remains so today: practically no Western sculpture in the 20th century has the sheer iconic majesty of the wooden goddess from the Caroline Islands lent to MOMA from Auckland, New Zealand, or the creepy terribilita of the British Museum's figure of the Austral Islands' god A'a, one of Pi casso's favorites. The main value of primitive art to modernism was not formal but quasi-magical. It gave the artist...

Author: /time Magazine | Title: Art: Return of the Native | 10/15/1984 | See Source »

...human figure, usually centered, glaring outward with the dilated mania of the eye that first transfixed its audience in the preparatory paintings for Les Demoiselles d'Avignon three generations before. No exhibition in memory has been so full of eyes (or of anuses and genitals, his other fetish objects). The late work attacks and reattacks art-history themes, figures by Rembrandt, Poussin, Manet, Delacroix, Rousseau. It is culturally saturated, as well as drenched in his macaronic, theatrical and self-mocking sexuality. And yet its obsessive project is to so generalize the image of the figure as to remove...

Author: /time Magazine | Title: Art: Picasso: The Last Picture Show | 3/19/1984 | See Source »

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