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Word: fetishizing (lookup in dictionary) (lookup stats)
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...volume's title and its prevailing horse theme pose more problems. Townshend never included his horse fetish in his music, so why does he choose to rhapsodize over the animals in his prose debut? The last chapter, "Lagune. Valentine's Day, 1982," is an imagistic digression extremely reminiscent of "Equus," only more graphic. Pete writes, "The horse is beautiful. Its mane is flowing and clean, its coat brushed and smooth. Its eyelashes are long and curved. The horse is now before me, it bares its teeth and its tongue flicks out. I hold the great, gorgeous head in my hands...

Author: By Jennifer A. Kingson, | Title: Townshend's Horse Fetish | 9/26/1985 | See Source »

...attitude toward both the Bushman and the bumbling rebels, but he seems no racist; he tars all his characters, black and white, with the same broad satirical brush. With very little exertion, the spectator can convince himself he is laughing not only at a primitive with a Coke fetish but at himself and the whole gods- forsaken human race. By Richard Corliss...

Author: /time Magazine | Title: Cinema: A Quartet of Cult Objects | 2/4/1985 | See Source »

...what? Somerset Maugham himself thought the original film version of his novel Razor's Edge could run as a comedy, but Murray and Director John Byrum exude the fetish for self-seriousness of a philosophy student and the free-floating silliness of a circus clown...

Author: By Clark J. Freshman, | Title: Big Mouth Finds the Meaning of Life | 10/27/1984 | See Source »

Brzezinski assailed both of the Presidential candidates' defense programs, calling "unsophisticated" Walter F. Mondale's support for a nuclear freeze and terming President Reagan's "Star Wars" defense scheme unrealistic. Mondale takes arms control and "elevates it to a fetish," he added...

Author: By Barbara H. Dobrin, | Title: Brzezinski Urges Two Parties To Cooperate on Foreign Policy | 10/24/1984 | See Source »

...artists, and Picasso most of all, were enthralled by the associative power of the fetish. The otherness of tribal art was infinitely compelling, and remains so today: practically no Western sculpture in the 20th century has the sheer iconic majesty of the wooden goddess from the Caroline Islands lent to MOMA from Auckland, New Zealand, or the creepy terribilita of the British Museum's figure of the Austral Islands' god A'a, one of Pi casso's favorites. The main value of primitive art to modernism was not formal but quasi-magical. It gave the artist...

Author: /time Magazine | Title: Art: Return of the Native | 10/15/1984 | See Source »

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