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This surprising scene kicks off "Yellow Fever," a play sponsored by the Asian American Association Players. AAA Players is just one of the many ethnic performing groups in Harvard's artistic community that have recently begun to claim a spotlight of their...

Author: By Victoria E.M. Cain, | Title: CREATING COMMUNITY | 4/22/1995 | See Source »

Even plays' titles help to provoke discussion--kiosk scanners must confront loaded and sometimes uncomfortable titles like "FOB" (Fresh Off the Boat). "Yellow Fever" and "The Trial of One Shortsighted Black Woman...

Author: By Victoria E.M. Cain, | Title: CREATING COMMUNITY | 4/22/1995 | See Source »

Jonathan Hullah is from Sioux Lookout which, he tells us, lies "nearly 2000 miles northwest of Toronto." Although this sounds to an American like code for the North Pole, the narrative stays in the township long enough to give the young Hullah a youthful bout with scarlet fever (childhood disease is a favorite repeated trope of Davies), the friendship of an Indian healer and wise woman named Mrs. Smoke (who saves him with neither scalpel nor the Merck Manual) and a lifelong interest in medicine, especially non-traditional medicine...

Author: By Daniel N. Halpern, | Title: Davies, Cunning As Always | 4/20/1995 | See Source »

...fashion world had left its flamboyant excesses behind. Think again. This is an industry that seems to thrive on crises. Drama counts. For every sublime Miyake, there is always someone out there on a toot. Even designers who usually make well-cut, wearable clothes, like Donna Karan, get the fever. In her DKNY show, the city girl went western, featuring dubious slinky pants with a phony chaps look, crinoline-shaped frontier skirts and hats that were at least seven gallons. In Paris, Jean-Paul Gaultier, perennial idol of the fashion press, indulged in one of his toughest tart looks ever...

Author: /time Magazine | Title: A NEW TOUCH OF CLASS | 4/17/1995 | See Source »

...made change with the attendant, who was not amused by my awkwardness in maneuvering the car so our hands could meet, I drove through the Brooklyn Battery Tunnel and tried to forget that I absolutely detest tunnels. I then drove over the Verrezano Narrows Bridge. Immortalized in Saturday Night Fever, one of my favorite films, the Verrezano is the world's longest suspension bridge. And I drove over it, reaching Staten Island just as the sun was breaking through the clouds...

Author: By Elisabeth A. Mayer, | Title: Baby, You Can Drive My Car | 4/13/1995 | See Source »

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