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Word: feverishly (lookup in dictionary) (lookup stats)
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There is, however, some sugar on the pill. The action is feverish and the interns sometimes leave the customers in stitches. But for the most part, the picture is an exploratory operation conducted, alas, without anesthesia...

Author: /time Magazine | Title: Cinema: A Pill | 8/28/1964 | See Source »

...churches, hospitals and universities across Spain, even an 8,611-sq.-ft. bulwark in an electrical plant in Grandas de Salime. His murals are close to "official" art, full of public consciousness, but when he won first prize at the 1963 Paris biennial, it was awarded for his feverish blend of abstraction and figuration. Vaquero Turcios fears gimmickry in the Spanish preoccupation with paint as material rather than illusion. But he himself uses a latex and plastic mixture on pressed wood, or even plaster, as in the sails of his Homage to Rodrigo de Triana, the sailor on Columbus...

Author: /time Magazine | Title: Styles: Iberian Resurgence | 8/28/1964 | See Source »

...good deal is real. In the "rogue and peasant slave" soliloquy he even becomes quite violently deranged. He does not give us the 18th-century melancholy aristocrat, or the 19th-century fragile neurasthenic. Nor does he recall Barrymore's Laborious Hamlet, or Olivier's Athletic Hamlet, or Weaver's Feverish Hamlet...

Author: By Caldwell Titcomb, | Title: 'Hamlet' Opens at Stratford Festival After Star, Director Resign in Huff | 7/7/1964 | See Source »

GREGORIO PRESTOPINO-Nordness, 831 Madison Ave. at 69th. As a painter, Prestopino carries no excess baggage: he carves clean chunks of landscape from pastry-rich impasto, props blunt black boulders and fallen trees around like sentries, guides the eye to figures of feverish hue-orange, red, pink, green-wading in lily ponds and squatting in lakes. Recent oils. Through...

Author: /time Magazine | Title: Art: UPTOWN: may 22, 1964 | 5/22/1964 | See Source »

...works up painstakingly from "cartoons," or planned-out sketches, of his subjects. Often the structure is artfully veiled. In what is graceful enough to avoid pedagogy, Ortman pierces Botticelli's elegant illusion. He analyzes the exacting geometry which the Renaissance artist imposed on his curvy allegory of the feverish season of love, spotlighting by colored panels the gestures that narrate the painting. As on the chessboard, where the rational, 64-square battleground can scarcely contain the emotional knight, Ortman does not let the truth of his analysis overwhelm beauty...

Author: /time Magazine | Title: Art: Making Cheerful Symmetry | 4/24/1964 | See Source »

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