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Word: feverishness (lookup in dictionary) (lookup stats)
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Carl Reiner's best films bear little resemblance to Oh God!. Where's Poppa?, for example, was pervaded by a manic hysteria, and peopled by feverish buffoons whose monomaniacal intensities constantly collided, resulting in sprawling calamities that were often exhaustingly funny. George Segal's wild-eyed sexual/homicidal obsessions (frustrated at every turn by his incessantly doddering mother, Ruth Gordon) produced scenes of comic genius, and in a lesser film, like The Comic, such moments successfully diverted attention from Reiner's maudlin tendencies in his quieter scenes. But in Oh God! the maudlin preponderates; Reiner chooses, for reasons...

Author: NO WRITER ATTRIBUTED | Title: To Hell With It | 1/11/1978 | See Source »

Sanders is well-known for his low-key approach to the game, which will be a marked contrast to Heinsohn's feverish style...

Author: By Harry Litman, | Title: Sanders In, Heinsohn Out As Celtics' Head Coach | 1/4/1978 | See Source »

Alas, poor Rudy: his bad luck with producers and directors extends 50 years beyond the grave. For his life has now fallen into the feverish-not to say hysterical-hands of Ken Russell, a director whose singular style and energy once promised excitement, but which now promise nothing but outrage...

Author: /time Magazine | Title: Cinema: Rudy II as Rudy I in a Gaudy Bust | 10/17/1977 | See Source »

...Martin show no more interest in exploring the real film star than did the early moguls. As usual, Russell hammers one over the head with gaudy and excessive cliches of a bygone era's decor. They have a certain visual excitement, but they say more about his own feverish temperament than about the spirit of the age. The use of Rudolf Nureyev for Rudolph Valentino was canny in conception-both men display an animal magnetism that audiences have found irresistible. But Rudy I had a very different appeal from Rudy II; the Valentino swagger was manifestly a device...

Author: /time Magazine | Title: Cinema: Rudy II as Rudy I in a Gaudy Bust | 10/17/1977 | See Source »

MISS MARGARIDA'S WAY by Roberto Athayde When the letter E is reached on the hurricane list, the storm should be named Estelle. As the teacher of the play's title, Estelle Parsons portrays a woman of blistered paranoia and feverish sexual frustration who qualifies as a blackboard Himmler to an eighth-grade biology class...

Author: /time Magazine | Title: The Theater: Ms. Himmler | 10/10/1977 | See Source »

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