Word: fi
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Dates: during 2000-2009
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...most amazing products I've ever had the privilege to be associated with," Jobs told a capacity crowd of 5,000 software developers and reporters. Wearing his trademark black mock turtleneck and jeans, Jobs demonstrated the new phone's speed, which he says rivals the performance of home wi-fi networks. With the old iPhone (which ran on AT&T's Edge network) on one side and the new one (which runs on AT&T's 3G network) on the other, Jobs loaded a photo-heavy Web page at nationalgeographic.com. It took 21 sec. on the 3G phone, versus...
...Jobs' great skill has always been integrating cutting-edge technology and making it accessible. Flat-panel monitors, moviemaking software, wi-fi, digital-music players, touch-sensitive screens - these have all been out there over the past decade or so in ragged and unpolished ways. His genius was finding and repackaging them, making the technology work to delight the masses. Similarly, Apple's iPhone 2.0 will popularize "geo-location" - think of the satellite-based navigation systems in many cars - as a way for people to communicate wherever they...
...Lost, whose Season 4 finale airs May 29, is not like a sitcom or a doctor soap. An elaborate sci-fi/fantasy thriller about plane-crash survivors stranded on an island, it has told a single, wildly complicated story involving--deep breath--time travel, conspiracies, a monster made of smoke, a utopian experiment gone bad, ghosts, polar bears in the tropics, philosophy, metaphysics and a mystical set of numbers that may have to do with the end of the world...
Setting an end date has obvious plot benefits. In a show with a finite run, actions can have consequences, major characters can die, questions can be answered. But it's even better for the show's emotional impact. Lost is a good sci-fi yarn, but what makes it a great story is that it is about the struggles of people: about faith vs. reason, fate vs. free will and, especially, redemption. Jack (Matthew Fox) is haunted by his relationship with his father--literally haunted, as Dad may have come back from the dead. Locke (Terry O'Quinn) balances...
...redemption depends on change, and traditional network TV depends on characters staying more or less the same for as many years as it takes for the ratings to give out. The time-bending sci-fi premise in Lost--certain characters become "unstuck in time" and can re-experience past events in their lives--dramatizes a human dilemma: Can you change your future, or are you fated to make the same mistakes forever? In a meta-way, that's the dilemma of traditional TV characters, who are damned to repeat the same patterns, trip over the same ottomans, forever. The revitalized...