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...intoxicated, fails to get the story but delivers instead a stylishly bizarre account that mocks conventional journalism. Kesey may have quit the literary major leagues but can still be an exciting writer, whether describing a rampaging billy goat or a fatal car wreck in Egypt: "It's two flimsy Fiat taxis just like ours, amalgamated head on, like two foil gum wrappers wadded together. No cops; no ambulances; no crowd of rubberneckers; just the first of those skinny street jackals sniffing the drippings...

Author: /time Magazine | Title: Books: Psycho-Alchemy | 9/8/1986 | See Source »

...Offshoots," more or less), the exhibition marks the opening of the Societa per Azioni Palazzo Grassi (Grassi Palace Society for Actions), housed in an 18th century structure whose restoration and conversion was brilliantly carried out by the Milanese architect Gae Aulenti. The new museum, lavishly funded by Fiat, is run by Pontus Hulten, former director of the Pompidou Center in Paris...

Author: /time Magazine | Title: Art: Kill the Moonlight! They Cried | 8/4/1986 | See Source »

...Balla prized the photographs of sequential movement taken by Eadweard Muybridge and Etienne Jules Marey. Some of Balla's own paintings, like the famous Dynamism of a Dog on a Leash, 1912, are virtually straight renderings of multiple-exposure photographs. But in his series of paintings inspired by a Fiat speeding down the Via Veneto, the game gets more complex. Nearly all of this series is assembled at Palazzo Grassi, culminating in Balla's Abstract Speed, 1913, one of the few large futurist paintings that can be called a pictorial masterpiece, a thundering black Doppler-effect image in which...

Author: /time Magazine | Title: Art: Kill the Moonlight! They Cried | 8/4/1986 | See Source »

...strikes receptive non-Americans as relaxed and slaphappily loose, even liberating. For Europeans, the cascade of pop arrived in the late 1940s and '50s along with reconstruction; it was as if the Marshall Plan came with its own USO for civilians. "Remember," says Furio Colombo, the Italian president of Fiat's American division, "we were liberated in 1945 by the American troops. That is what American pop culture represents to Europe--freedom, even when it's just a fashion...

Author: /time Magazine | Title: Pop Goes the Culture | 6/16/1986 | See Source »

...Fiat executives question the fairness of the U.S. move, since other firms that may have Libyan shareholders are not being penalized. They also insist that their Libyan directors have never tried to influence the way the company does business. Says Nicolello: "They behave like Swiss bankers." Maybe so, but the Gaddafi connection could be a continuing source of trouble for his unwilling business partners at Fiat...

Author: /time Magazine | Title: Fiat's Silent Partners | 6/2/1986 | See Source »

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