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...credits for companies that produce wind and solar energy and energy conservation products like fiberglass insulation. According to Hendricks, there are companies ready to build wind farms in the Midwest and solar farms in the Southwest if they can be guaranteed that there will be a market for their products even if oil prices drop. • Construction of a new "smart" electric grid to deliver the power generated by wind, solar and geothermal plants in rural areas to the major population centers. This would be a down payment on the $400 billion over 10 years that Al Gore has estimated...

Author: /time Magazine | Title: What a New Energy Economy Might Look Like | 11/13/2008 | See Source »

...Japanese artist Takashi Murakami working with hip-hop megastar Kanye West: Murakami explained how the collaboration evolved in simple terms: "'Kanye was a big fan of my big breast sculpture. He learned my work and asked me to make designs.' The 'big breast sculpture' is Hiropon, a painted fiberglass work completed in 1997 of a blue-haired girl with gargantuan breasts from which milk gushes in such abundance that the flow encircles her body like a skipping rope...

Author: /time Magazine | Title: The Art World, Demystified | 11/3/2008 | See Source »

...from a weeping Chinese elm. This must be the most romantic spot in Florida. Not far away is the Orlando Museum of Art ($8), which focuses on works by Americans. Don't miss Dennis Oppenheim's majestically disturbing 1996 installation Products from the Snowman Factory, a collection of faceless fiberglass snowmen leaning in a corner. The other great museum in the region is the Morse ($3), just outside Orlando in Winter Park. The Morse features the world's largest collection of works by Louis Comfort Tiffany (1848-1933), of lamp fame. I didn't expect much--maybe a bunch...

Author: /time Magazine | Title: Orlando for Grownups | 8/21/2008 | See Source »

...name in Britain, where he arrived in 1973 as a 19-year-old art student. He was first noticed for works in which he covered cones, cubes and pyramids with intensely colored raw pigment to make primal objects with a radioactive intensity. Since then, he's moved on to fiberglass, resin, acrylic and stainless steel, but almost always playing with the threshold between the solid and the immaterial, the point at which a thing comes into being or dematerializes, or the ways a massive solid form, like Inwendig Volle Figur (inwardly turning full figure), can also be a giant entryway...

Author: /time Magazine | Title: Anish Kapoor: Past, Present, Future | 6/5/2008 | See Source »

...surprise - the show at Kew is a reminder of Moore's enduring credibility. It has its share of Moore at his most middlebrow: the white fiberglass version of Large Reclining Figure that Moore ordered up in 1984 - a bloviating enlargement of what had been a suave little totem when he first fashioned it in 1938 in gratifying dark lead - belongs at an airport. But set against the greenery of Kew, his way of conflating the curves of the human body with the swells of landscape is effective again. And his two- and three-part reclining figures, like Reclining Figure: Arch...

Author: /time Magazine | Title: Making the Most of Henry Moore | 1/2/2008 | See Source »

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