Word: fictional
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Dates: during 1970-1979
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Spielberg must, in addition, contend with the comet trail of Star Wars, the summer sleeper directed by George Lucas that now threatens to surpass Jaws' $400 million worldwide gross. Close Encounters is also a science fiction film, and thus it will inevitably be compared to Star Wars. Since Spielberg's movie cost almost twice as much, Columbia Pictures, which financed Close Encounters, has gone to unusual lengths to protect its investment. From the outset, the film has been shrouded in secrecy to ensure that its suspense not be blown prior to release. Cast and crew have been forbidden to discuss...
...reputation is no accident. His new movie is richer and more ambitious than Jaws, and it reaches the viewer at a far more profound level than Star Wars. The film is not perfect, but, like Stanley Kubrick's similar (if far chillier) 2001: A Space Odyssey, it uses science fiction thrills to seduce the audience into looking at the cosmos metaphysically. Close Encounters is, moreover, its creator's highly personal statement about mankind's next leap forward...
Despite Spielberg's preoccupation with UFOs in Close Encounters, he prefers to call the film an "adventure thriller" rather than science fiction, and he may have a point. The movie's conception is pure Hitchcock?on an intergalactic scale. The hero, Roy Neary (Dreyfuss), is a Middle American variant on the kind of man-in-the-middle played by Gary Grant and James Stewart in films like North by Northwest and Vertigo. A power-company worker who lives with his wife (Teri Garr) and three kids in Muncie, Ind., Roy is engulfed one night by phenomena he cannot understand: searing...
...medical school at Oxford to a workers' community in Vienna. The women are separated through most of their lives; but Julia's need for Hellman's aid in her anti-fascist activities prior to World War II reunite them, with repercussions that even a writer of dime store spy fiction would envy...
...FICTION: Daniel Martin, John Fowles