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Word: fictional (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...Merging fiction with reality, Segal’s sixth novel, “The Class,” published in 1986, follows five fictitious members of the Harvard class of 1985, culminating in their 25th class reunion...

Author: By Lindsay P. Tanne, CRIMSON STAFF WRITER | Title: Erich W. Segal | 6/1/2008 | See Source »

...Kozol translated his early teaching experiences into “Death at an Early Age: The Destruction of the Hearts and Minds of Negro Children in the Boston Public Schools,” his first book of non-fiction. Its selection for the National Book Award in 1968 “unfortunately propelled me into a public role, which I had never wanted,” he said...

Author: By Jeremy S. Singer-vine, CRIMSON STAFF WRITER | Title: Jonathan Kozol | 6/1/2008 | See Source »

Soderbergh's film has one admirable quality: the big huevos of cinematic ambition. Too many of the European films at the festival erred on the side of minimalism, both in scope and style. They begin by promising thrills out of classic crime fiction - an immigrant marriage-and-murder plot in The Silence of Lorna, a wife falling for the man who sent her husband to jail in Three Monkeys, a woman who's afraid she ran over someone in Lucrecia Martel's widely praised Argentine film, The Headless Woman - before turning sullenly, claustrophobically inward. For many vaunted directors at Cannes...

Author: /time Magazine | Title: It's a Wrap at Cannes | 5/29/2008 | See Source »

...feature here in 1989. That's when sex, lies, and videotape proved itself a come-from-nowhere winner of the Cannes Palme d'Or in 1989, then a sizable commercial success, Quentin Tarantino showed Reservoir Dogs at Cannes in 1992, but that was the merest fanfare to his Pulp Fiction, a Palme d'Or triumph in 1994 and probably the defining movie - certainly the most vivid, film-wise comic epic - of its decade...

Author: /time Magazine | Title: Soderbergh and Tarantino: Warrior Auteurs | 5/22/2008 | See Source »

...early 17th Century” and count toward the Aesthetic and Interpretive Understanding requirement this fall. The acting chair of the comparative literature department also saw two of her courses welcomed into the new curriculum. Susan R. Suleiman’s “French 132b. 20th-Century French Fiction II: The Experimental Mode” and Literature & Arts C-55: “Surrealism: Avant-Garde Art and Politics between the Wars” were approved for the Aesthetic and Interpretive Understanding category. English professor Helen Vendler’s class, Literature and Arts...

Author: By Bonnie J. Kavoussi, CRIMSON STAFF WRITER | Title: Gen Ed Approves Thirteen | 5/22/2008 | See Source »

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