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...Size. Over the decades, the membership has shown a fondness for small dramas with an obvious social message and a prejudice against gigantic science-fiction pictures that use pioneering techniques to create a compelling new world - albeit with their own obvious social message. Avatar is every bit as political as The Hurt Locker in its eco-friendly theme, and much more boldly anti-military: by the end of the movie, viewers are meant to be cheering for the deaths of the U.S. soldiers trying to occupy Pandora. It didn't help. The Oscar voters saw Avatar (if they did watch...

Author: /time Magazine | Title: Oscar Wrap-Up: Why Avatar Lost | 3/8/2010 | See Source »

...past is not simply a dead history," George Eliot wrote in the sweeping novel Middlemarch. "It is a still quivering part of himself." As an executive summary of A Life Apart - the complex, occasionally overwrought but ultimately satisfying fiction debut of TIME contributor Neel Mukherjee - that pretty much fits the bill. The book was first published as Past Continuous in India, where, along with Amitav Ghosh's Sea of Poppies, it was joint winner of the 2008 Vodafone Crossword Book Award, the country's most prominent prize for English-language writing. The newly entitled edition is slightly revised and tighter...

Author: /time Magazine | Title: The Past Darkly | 3/8/2010 | See Source »

...however, Hanks brought to the screen the impact of Vietnam on his generation in the tragicomic Forrest Gump. While the role earned him an Academy Award, Gump hardly epitomized the brutal nature of Vietnam, about which reporter Michael Herr had written so devastatingly in Dispatches. (See the top 10 fiction books...

Author: /time Magazine | Title: How Tom Hanks Became America's Historian in Chief | 3/6/2010 | See Source »

...Cold Blood, which he thought was far scarier than any Hitchcock psychodrama because it had actually happened to a particular family in Holcomb, Kans. "Capote's horror," Hanks says, "has stuck with me." Capote called his work a nonfiction novel - informed by reporting but drawing on the techniques of fiction for its dramatic power. It's a fair description of Hanks' productions, in which historical events and figures are drawn together along fictionalized story arcs, and characters have the psychological interiority of characters in novels...

Author: /time Magazine | Title: How Tom Hanks Became America's Historian in Chief | 3/6/2010 | See Source »

...same characters? -Jonathan Clarke, Taipei If we make a sequel, we'll definitely continue the story of the main characters: Sam [Worthington] and Zoe [Saldana] and Sigourney [Weaver]. Well, I don't know about Sigourney. Sigourney's character is dead, but nobody's really ever dead in a science-fiction movie. I think it's more of a question of when than...

Author: /time Magazine | Title: 10 Questions for James Cameron | 3/4/2010 | See Source »

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