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...Dead has been the inspiration for countless remakes and rip-offs. (Romero's latest film, Survival of the Dead, may go direct to video.) The Crazies - about people whose minds are poisoned by the town's water supply - wasn't quite so trailblazing. It built on that potent science-fiction trope, the takeover of personality by an alien entity, that dates back to Philip K. Dick's 1954 story "The Father-Thing," in which an eight-year-old suspects that his father's not quite right and finds a menacing replicant in the garage. A year later, Jack Finney fleshed...

Author: /time Magazine | Title: The Crazies Review: Don't Drink the Water | 2/26/2010 | See Source »

While I suspect that the commercial success of McCarthy’s work may be due to the tropes of science fiction and action rather than its literary merits, that does not diminish the power of McCarthy’s intensely human portrait of a father and son. Where Roth and many other contemporary novelists write about an ironic and dehumanizing world that leaves characters externally disconnected and spiritually enervated, McCarthy embraces humanity in all of its weakness, madness, and strength. Some people may find detailed digressions on spiritual exhaustion profound, but this reader found it merely exhausting...

Author: By Theodore J. Gioia, CONTRIBUTING WRITER | Title: Studying 'American Pastoral' to Understand 'The Road' | 2/23/2010 | See Source »

These discoveries inspired Zimbler to intercut her documentary project with fiction segments based on her grandmother’s correspondence. Six months later, after arranging to take her fall exams in absentia, Zimbler flew to Paris with the director of photography for her project, Alexander E. Berman ‘10. The two held auditions for the fiction scenes six hours after arriving in Paris, and began shooting the next...

Author: By Abigail B. Lind and Rebecca A. Schuetz, CRIMSON STAFF WRITERS | Title: The Scenic Route | 2/23/2010 | See Source »

Filmmaking can be one of the more precarious fields for undergraduates to enter immediately after graduating. Would-be documentarians face difficulty getting funding outside Harvard, and those looking for work on fiction films encounter their own set of obstacles. “You can’t get a job on a set unless you’ve had job on a set,” remarked Robb Moss, a lecturer on nonfiction filmmaking in the VES department and the director of documentaries “Secrecy” and “The Same River Twice...

Author: By Abigail B. Lind and Rebecca A. Schuetz, CRIMSON STAFF WRITERS | Title: The Scenic Route | 2/23/2010 | See Source »

From Horovitz’s perspective as a Production Assistant working on high-budget fiction filming in the area, shooting has noticeably taken off in the last year or two—but not only due to tax credits. “People are realizing it’s much easier to shoot in Boston than in New York,” he said. “In New York, there’s so many permits you have to get, and it’s so bureaucratic...

Author: By Abigail B. Lind and Rebecca A. Schuetz, CRIMSON STAFF WRITERS | Title: The Scenic Route | 2/23/2010 | See Source »

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