Word: fictionalized
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...industry recognition. Maybe people in Hollywood think of him as just another tough guy, wise-ass and cocksure, and figure that star acting is something that lucky people are born with and get well paid for. But think of some signal films of the past decade or so: Pulp Fiction, M. Night Shyamalan's The Sixth Sense and Unbreakable, Robert Rodriguez's Sin City. The Die Hard series, for that matter. At the center, there's Willis, playing men wracked with more psychic pain than they could ever dish...
Ralph Nader has been many things: lawyer, consumer-rights bulldog, political activist and perennial third-party presidential candidate. He has now added a new title to his business card: fiction writer. His latest book, Only the Super-Rich Can Save Us!, is a 700-page populist fantasy in which a small group of billionaires and media moguls - led by Warren Buffett and including Ted Turner, George Soros, Bill Cosby, Yoko Ono and Phil Donahue - pool their massive resources to reform the U.S. With the help of a $15 billion war chest and a p.r. campaign starring a talking parrot...
...Giscard d'Estaing. "I still hear her saying it in English," the writer reveals. "It's not my memory reminding me of it, but her voice." The florid romantic tale, titled The Princess and the President, might have passed largely unnoticed into the annals of pulp fiction were it not for the fact that its author is former President Giscard himself. Although the author remains silent amid the media furor, some newspapers have covered the book as though it might be a thinly disguised kiss-and-tell. (See pictures of the inquest into Princess Diana's death...
...Fiction or reality?" Le Figaro asked in a headline alongside a November 1994 photo of a tuxedo-clad Giscard being gazed upon by a glowing Diana during a charity event. "Only the former President holds the key to this troubling story." So far, the former President isn't telling...
...Imperial” seems absolutely credible coming from Vollmann, whose previous works reveal, if nothing else, a man easily obsessed. A sentimentality colors the prose of Vollmann’s work at large in a way that would make calling “Imperial” purely non-fiction reductive. Even his decision to leave out quotations in favor of fluid movement from description to speech gives it the affect of raw consciousness, as if heard in a dream. “Crossing the river into California, giving down on the reservation’s wide green and yellow bottomlands...