Word: fictionalizes
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Like much of Ellroy’s fiction, “Blood’s a Rover” is at least in part homage to pulp literature—a genre whose mandate is one of instant gratification. But at 640 pages, Ellroy’s latest dwells too often and for too long on aspects of the plot that, for their sheer monotony, never seem important. The truth behind the robbery and Joan Klein’s identity are both revealed so slowly that the value of surprise is squandered. None of the three protagonists are ever completely...
...local color” in which these books traffic reduces perceptions of the region to little more than cartoonish, “My Big Fat Greek Wedding”-esque stereotypes.Harsh? Perhaps. Yet the breach between the possibilities for “diaspora” fiction and the lackluster reality is disappointingly vast. To pull a book from the shelf at random, take Pakistani author Kamila Shamsie’s 2002 “Salt and Saffron.” “The stories that [narrator] Aliya tells are full of the aroma of pilafs and the mouth-melting...
...Boston Bike Film Festival, which featured 14 non-fiction films that celebrate cycling culture, attracted approximately 200 people to the Brattle Theatre this weekend...
...improbably happen upon a literary journal containing a picture of the young Thurman, looking defiant and hip, alongside some of Eliza's early prose. He starts reading aloud and she stops him, thankfully. "That was my thing," she says without a trace of irony. "That kind of ferociously lyrical fiction...
...Pamuk avoids claustrophobia by elevating his repetitions into a self-referential body of work as complex as that of Nabokov, Barth, or Bolaño. Just as with those writers, the relationship between author and fiction remains intriguingly fluid. Many of Pamuk’s fictional landmarks are recognizable from his non-fiction memoir; Kemal even meets a character named Orhan Pamuk at his engagement party...