Word: fictionalizing
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...reveal himself as a Quantum hireling. More fighting and chasing and leaping, intercut with the running of Il Palio, the famous horse race held in a Siena's main piazza. Director Marc Forster - known for gimmicky art-house films like Finding Neverland, Stranger Than Fiction and The Kite Runner - turns out to be a natural as the helmer of a high-energy, high-gloss action film. He also holds the viewer's powers of concentration and retention in such high regard, he often has two action scenes going at once...
Perhaps no place better symbolizes the stranger-than-fiction quality of the U.S. project in Iraq than the Republican Palace. The sprawling sandstone complex on the Tigris River was a monument to Saddam Hussein's regime. Then in 2003 it became the center of American power there--first of direct military rule, and following that, as headquarters of the U.S. embassy. Though U.S. officials removed some of the more egregious reminders of Saddam--like massive stone carvings of the dictator's head--the palace's marble floors and soaring ballrooms still make an incongruously imperial backdrop for the civilians...
...Lucy W. Baird, FM’s defending Fast Fashion champion, presented a “space-age cocktail dress,” an ode to science fiction writer Ursula K. Le Guin ’51. The form-fitting, bronze stretch-jersey glittered in the Sanctum’s spotlight. While the front of the dress was simple and sleek, the elaborately interwoven black strips of fabric across the open back showed off Baird’s handiwork...
...fisherman husband is eaten by a spiny fish after the two duel in a maelstrom (conveyed by hands with cut-out lighting bolts attached). All the while, Feist gasps out soft narrative lyrics interspersed with an eerie harmony. After her husband is swallowed, the wife dons a retro-science fiction swim apparatus to search for him. Although the ending is ambiguous, the candle that has lit the scene is blown out in its final moments, so I wouldn’t hold out too much hope for the couple’s future together. While the frequent close...
...that message are of a drastically different brand. His tired office workers encounter trees that inspire erotic dreams and find planets full of pornographic animals. Throughout Tsutsui’s eclectic assortment of stories, rather mundane characters are brought face to face with dystopia and the world of science fiction. Time machines and stampeding gangs of smoking abolitionists break through the white static of the protagonists’ humdrum lives. Tsutsui’s surreal elements forcibly draw attention to the need for an expressive outlet in a world marked by such brutal pressure to conform.And indeed, the pressure...