Word: fictioneering
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...mail from a 16-year-old Texan Muslim, Kourosh Poursalehi, who was in a band called Vote Hezbollah, asking how he could get in touch with the mohawked Sufis, skater punks, burqa-wearing riot grrrls and skinhead Shi'ites in the book. When Knight told him it was fiction, Poursalehi responded, "Well, then I'll make it real." With Knight's help, he began contacting like-minded Muslim musicians on the Internet. Soon, Muslim bands from across the U.S. and Canada decided to put together a tour in a green-spray-painted school bus. Among the performers were the Kominas...
...ever see any man called [that]? You never see that kind of a description. You'll never see, "He's a guy version of Lisa Scottoline." I resist that as much as I take it as a compliment. The truth is that every writer, whether it's fiction or nonfiction, is trying to write something truly original and that's what I think I'm doing. (See the top 10 airplane books...
...first it sounded like science fiction, curing genetic diseases by giving people new genes. Then it seemed like simple fiction: while theoretically possible, gene therapy appeared unlikely to become a true therapeutic option, the field having suffered years of complications and high-profile setbacks. But over the past year, a series of small but intriguing advances has suggested that the technique may hold real future potential...
Apart from his wife, the pivotal figure in Carver's adult life was Gordon Lish, an influential fiction editor at Esquire magazine who later became a power in book publishing. In 1970, when Carver was 32, Lish gave him his first crucial exposure in Esquire--but at a price. He revised Carver's manuscripts extensively, cutting out whole pages, changing titles, expelling lyrical passages and moments of uplift. The result was a set of stories more terse and elliptical than the originals, more "minimalist," which was how Carver's early style came to be known...
...first of Rosero’s works to be translated into English, “The Armies” was the recipient of the Independent Foreign Fiction Prize earlier this year. This short, sharp novel recounts a few days in the life of the narrator Ismael, a retired schoolteacher who lives with his wife in San José, a fictional Colombian town nestled in the highlands and surrounded by coca plantations. In the latest spate of politically-motivated violence, some citizens are murdered while others—probably including Ismael’s wife, though it’s never...