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Word: fictioneers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Privilege, by Peter Watkins explores the relationship between the fiction film and the documentary, the written script read and performed as cinema verite. In a style most closely resembling a travelogue, Chris Marker's masterpiece Le Mystere Koumiko reveals Japan's national character by following a young girl. Rosselini describes his newest film La Prise de Pouvoir de Louis XIV as an educational film, and indeed, its greatness emerges from the simplistic straight-forwardness of films about artists and poets shown in high school auditoriums. Most recently, Conrad Rooks' extraordinary Chappaqua is, from start to finish, a home movie...

Author: By Tim Hunter, | Title: 'Chappaqua' | 11/29/1967 | See Source »

...nothing. Milton Eisenhower, nominated to the board of the Corporation for Public Broadcasting this month, sees news, sports and, at times, movies and specials. Physicist William Pickering, whose Jet Propulsion Laboratory has directed U.S. unmanned space probes from Explorer 1 to Surveyor 6, likes a preposterous piece of space fiction, Star Trek. J. Edgar Hoover is strictly business: No. 1 on his most wanted list is The F.B.I...

Author: /time Magazine | Title: The Audience: Viewing from the Top | 11/24/1967 | See Source »

...times his life seemed to belong as much to the picturesque world of fiction as did the manner of his death. We get only glimpses of Jarrell in the book of memorials. None of the writers attempt a miniature biography, but the anecdotes all add to the same picture of paradoxical man, warm to those he respected, yet always distant enough to be awe-inspiring...

Author: By Richard R. Edmonds, | Title: The Poet and Critic in Retrospect | 11/21/1967 | See Source »

...FICTION...

Author: /time Magazine | Title: Television: Nov. 17, 1967 | 11/17/1967 | See Source »

Excess of Sympathy. Born Emile Herzog, son of an Alsatian Jewish industrialist, Maurois fled the family textile works and served as a liaison officer to the British army during World War I before taking up his writing career. Despite his gifts of dialogue and invention, his fiction existed within the bounds of bourgeois convention. "I wrote about a rather limited world," he admitted. When he tried to do otherwise, he produced clichés. The interplanetary observers of The Life of Man saw human beings behaving like ants. In The Departure, the dead queue up to board airplanes. Typically, Maurois...

Author: /time Magazine | Title: Books: Our Man in Paris | 11/17/1967 | See Source »

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