Word: fictioners
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...pelted with complaints. They leveled charges of "pro-Communism" at Collier's and at the author, Mrs. Dorothy Frank, a California housewife, who had defended UNESCO courses in Los Angeles public schools. Some at the same time demanded that Collier's (circ. 3,100,000) fire Associate Fiction Editor Bucklin Moon, who was charged with "a long record of Red-front affiliations." The two complaints had no direct connection, since Moon had nothing to do with Collier's buying or running the article. Nevertheless, last week Collier's summarily fired Moon...
...Refusal. Last week Collier's Editor Roger Dakin called in Moon's boss, Fiction Editor MacLennan Farrell, told him of the letters of protest against Moon. He also showed him citations on Moon from the report of the House Un-American Activities Committee, which said that: 1) Moon had been a sponsor of the 1949 Communist-front Waldorf culture conference and was named in the Daily Worker as a member of a group organized by the fellow-traveling National Council of the Arts, Sciences & Professions; and 2) Moon's novel Without Magnolias had been mentioned...
...Greece's leading men of letters. When Zorba the Greek appeared in Britain seven months ago, British critics tossed cheers around like "well dones" at a cricket match. Said the Times Literary Supplement: "Mr. Kazantzakis . . . has created in Zorba one of the great characters of modern fiction." Said the New Statesman & Nation: "A minor classic." But the British still found it a bit puzzling. Observed the Observer's reviewer: "I enjoyed it so much that I wish I could define it; not being Greek, I have no word...
...dimmed his hawk eyes nor dulled his pagan laughter. From the moment when he pounces on the nameless narrator of the story with an abrupt offer-"Taking me with you? ... I can make soups you've never heard or thought of"-Zorba makes the heroes of most modern fiction seem like dyspeptic ghosts...
Author Charques' novel is not quite a match for two splendid masterpieces of historical fiction recently produced by other Englishwomen: The Golden Hand, by Edith Simon, and The Man On A Donkey, by H. F. M. Prescott. Yet it has the charm of a hearty good story, and if the style is mildly mock-archaic, it is pretty good in its pretense...