Word: fictionizing
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...when I got back to the office. Charts and numbers. I've never been great with facts, ever, my whole life. For a journalist, that's not a very good trait. As a novelist, it's fine because you just make it all up and so when I found fiction, I thought, oh, OK. This is more me. I can just make...
...religious] people into a positive community that can make a major contribution to a more peaceful, more stable world.” Humanists currently hold a wide base in the cultural and scientific world. Author Kurt Vonnegut served as honorary president of the American Humanist Association, and science-fiction author Issac Asimov served as its president until his death in 1992. However, humanism is much less represented in the political sphere, said Epstein. “There is only one openly humanist politician currently serving in Congress, Senate, or governor offices,” Epstein said...
...massacre. These guys are from England, where the cops don't carry guns and the murder rate from firearms is minuscule. Their homage-burlesque of America's ultra-violent action epics springs from a movie love as innocent and politically remote as an American kid's fondness for science-fiction films. Film violence for Pegg and Wright is not a mirror of the American psycho psyche but a window to vigorous fantasy. The crimson streets of L.A., as shown in Lethal Weapon, Bad Boys II and many of the other films referenced in Hot Fuzz, are no more real than...
...about consumption and a criticism of the gluttonous culture America exports, does get a little political, but according to Shteyngart, he didn’t intend the novel to be a satire.“It’s as much an act of journalism as it is of fiction writing,” he said. “Just hanging out in these small post-Soviet countries, I’ve never seen such corruption in my life. One man in Azerbaijan wanted to kidnap me and ransom Random House. People just don’t realize how crazy...
...story line is also plenty gnarled, in a fashion familiar to admirers of Pulp Fiction and Kill Bill. It begins in 1988, when the main character, Oh Dae-Su (Choi Min-Sik, star of the Korean blockbusters Shiri and Failan), is kidnapped and confined without being told what his crime is or how long he will be held. The movie snakes forward to 2003, when Oh is suddenly released, but still not free; his unknown torturer now plays with him in subtler, more damaging ways. And it ends in 1979, when Oh and his assailant were schoolboys, for the revelation...