Word: fictions
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Dates: during 1980-1989
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...researchers at France's Pasteur Institute. He dismisses as a myth the competing claim of Robert Gallo of the National Cancer Institute and, quoting U.S. researchers, strongly implies that Gallo stole the French strain and presented it as his own, a charge Gallo denies. Shilts labels as a "pleasant fiction" a 1987 U.S.-French political accord that settled lawsuits and deemed Gallo and France's Dr. Luc Montagnier "co-discoverers" of the virus...
...sway opinion have made the new literary generation knowing observers of style and class. Most share affluent backgrounds and a sense of being entitled to the best brand names, higher education, sex, drugs and psychotherapy. Their casual sophistication is worn two sizes too big. The best characters in their fiction are invariably white, bright and dangerous to know, like the autobiographical narrator of McInerney's Bright Lights, Big City and his sidekick Tad Allagash, a stripling adman and Manhattan party animal with inexhaustible supplies of Bolivian Marching Powder (coy for cocaine...
With the publication of his first novel in 1984, McInerney became the big brother of what Editor and Critic Ted Solotaroff calls the life-style fiction of the '80s. Bright Lights has sold 300,000 copies; it was hailed as the modern Catcher in the Rye, has been filmed with Michael J. Fox and Phoebe Cates, and is a bit of instant folklore in the book industry. Published as a paperback original by Random House's Vintage Contemporaries series, McInerney's romp gave readers a fast look at a young man's entry-level Manhattan. Bright Lights also...
...first fresh literary voice to attract national attention since John Irving finally arrived with The World According to Garp in 1978. McInerney made it faster, with less talent, by being in the right place at the right time. He also had a personal life that ran parallel to his fiction. Bright Lights caused a small stir by caricaturing a magazine that resembled the author's former employer, The New Yorker. The novel's more capitalizing feature was that its hero and his pals were regulars at Odeon and other lower- Manhattan spots that were trendy at the time. The book...
...novel (a 250- year-old art form) is unnecessary baggage in today's paper chase. Fisketjon, 33, McInerney's close friend at Williams College in the mid-'70s, pushed Bright Lights when he worked at Random House. He is now editorial director of Atlantic Monthly Press and, as yuppie-fiction's most visible impresario, a celebrity in his own right...