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...Roth, 68, would win much support as America's best working novelist. Who else during the same period published so much of such consistently high quality? Even more remarkably, Roth has maintained this elevated standard for more than 40 years, a creative marathon that totals 20 books of fiction. Not all of these are masterpieces, but all are unfailingly ambitious, the products of a mature, demanding artistic conscience...

Author: /time Magazine | Title: Novelist: Philip Roth | 7/9/2001 | See Source »

...promising to prizewinning in a single bound, Roth could have set about repeating the formula that had brought him such instant recognition. But one of his more intriguing aspects has been his refusal to tailor his work to anyone else's expectations. Within a decade of the delicate Jamesian fiction in Goodbye, Columbus, Roth wrote Portnoy's Complaint, a barbaric yawp of masturbatory misadventures and comic rage...

Author: /time Magazine | Title: Novelist: Philip Roth | 7/9/2001 | See Source »

Such a narrow conception of fiction and its imaginative resources annoyed and exasperated Roth. He could have deflected these misreadings by following Portnoy's with a novel whose central character bore no surface resemblances to himself. With characteristic contrariness, Roth did the exact opposite. Peter Tarnapol, the narrator of My Life as a Man (1974), is, unlike Portnoy but like Roth, a writer and one who has enjoyed early acclaim, hailed as "'the golden boy of American literature' (New York Times Book Review, September, 1959)." Tarnapol's obsessive topic is his disastrous first marriage; that Roth had lived through such...

Author: /time Magazine | Title: Novelist: Philip Roth | 7/9/2001 | See Source »

JOSEPH ELLIS Pulitzer author admits his 'Nam days were fiction after Boston Globe forces the issue...

Author: /time Magazine | Title: Notebook: Jul. 2, 2001 | 7/2/2001 | See Source »

...love story, a prophecy and a fairy tale (Pinocchio, to be exact) in the guise of a science-fiction film, A.I.: Artificial Intelligence represents the collaboration and collision of two master filmmakers: Stanley Kubrick, who spent parts of more than 15 years on the project; and Steven Spielberg, whom Kubrick finally asked to direct it, and who did, from his own screenplay, after Kubrick's death in 1999. The film, whose genesis and shooting have long been cocooned in secrecy, opens next week...

Author: /time Magazine | Title: Cinema: A.I. Spielberg's Strange Love | 6/25/2001 | See Source »

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