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Word: fiddlers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Occasionally, productions with mixed or bad out-of-town reactions are transformed into big hits during the tryout period. Jerome Robbins (director-choreographer of West Side Story and Fiddler on the Roof) was called in to doctor A Funny Thing Happened on the Way to the Forum and Funny Girl. Both times he achieved the miracle. Any Wednesday had a disastrous tryout, with many different directors and a leading man who walked out shortly before the New York opening. It ran two years on Broadway...

Author: By Frank Rich, | Title: Doing It 'On the Road' . . . to Broadway, that is | 2/7/1969 | See Source »

ZORBA. Producer-Director Harold Prince seems to have tried to fashion a sequel to his Fiddler on the Roof, camouflaged with a Greek accent. But Zorba isn't Jewish, and the miscasting and bogus bouzouki music scarcely ever evoke the characteristic tone of Levantine lament...

Author: /time Magazine | Title: Television: Jan. 31, 1969 | 1/31/1969 | See Source »

...Fiddler on the Roof--Now in its fifth year and still in great shape, this powerful Stein-Bock-Hasnick-Robbins musical drama weaves Sholom Aleichem's "Tevye" stories into a panoramic view of the breakdown of tradition in Russian-Jewish society. Harry Goz is Tevye and Rae Allen is his wife. At the MAJESTIC, W. 44th...

Author: NO WRITER ATTRIBUTED | Title: Christmas in New York: The Plays to See | 12/20/1968 | See Source »

ZORBA. Producer-Director Hal Prince has turned out a non-Jewish version of Fiddler on the Roof. But this time Herschel Bernardi merely inhabits the hero's role rather than being possessed by it, and Maria Karnilova never quite provides the mixture of girlish coquetry and faded carnality that the role of Bouboulina requires. The music sounds as if it is being piped in by Muzak; the lyrics are insipid, the dances are any old folk...

Author: /time Magazine | Title: Television: Dec. 13, 1968 | 12/13/1968 | See Source »

ZORBA. Producer-Director Hal Prince has turned out a non-Jewish version of Fiddler on the Roof. But this time Herschel Bernardi merely inhabits the hero's role rather than being possessed by it, and Maria Karnilova never quite provides the mixture of girlish coquetry and faded carnality that the role of Bouboulina requires. The music sounds as if it is being piped in by Muzak, the lyrics are insipid, the dances are any old folk...

Author: /time Magazine | Title: Television: Dec. 6, 1968 | 12/6/1968 | See Source »

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