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...Chieftains owe their existence to Guinness: in 1963 an heir to the company financed the band's first record. For years Moloney, an accountant, and the others kept their day jobs; some dropped out. Of the original five, only Moloney and fiddler Martin Fay remain; the others are Conneff (percussion), Sean Keane (second fiddle), Matt Molloy (flute) and Derek Bell (harp and keyboards), whose dour banker's visage is uncapped onstage to reveal a wily mischiefmaker. "We keep the humor going," says Moloney. "I grew up in an atmosphere where music was about happiness and song." But the group...

Author: /time Magazine | Title: FROM EMERALD TO GOLD | 3/20/1995 | See Source »

Theodore Bikel, a folk singer currently starring as Tevye in the 30th anniversary tour of "Fiddler on the Roof," spoke yesterday at Harvard-Radcliffe Hillel on music, politics and the importance of ethnic and cultural identity...

Author: By Susan A. Chew, | Title: Community BRIEFS | 10/8/1994 | See Source »

...Pudding is a very emotional experience," said Cooper, who described his new play as Fiddler on the Roof meets Les Miz. "The play is about our journey as friends and what the Pudding has meant...

Author: By Janet C. Chang, | Title: Pudding Picks Script, and a 'Tsar' Is Born | 9/28/1994 | See Source »

...common currency among men and women of all classes. The King James version of the Bible referred in Leviticus to "stones" (for testicles); the Second Book of Kings used the common four- letter word for urine. Chaucer deployed 200 separate oaths in Canterbury Tales. And did anybody give a fiddler's intercourse about the proprieties? Dreck no! There weren't any proprieties. Everybody was vulgar; so nobody was vulgar...

Author: /time Magazine | Title: BOOKS: Substandard-Bearer | 7/4/1994 | See Source »

Nevertheless, Emma, a fiddler for a semi-hot Chicago band called The Drovers, can be quite interesting. With her long black hair crimped and an awful "alternative" wardrobe, she is at times strangely reminiscent of Elvira. Stowe enhances Emma's powerful presence with a guttural voice and gunshot laugh and does a creditable job of charting Emma's emotional development as she regains her sight. Previous to her surgery, Emma, having created an imaginary world in her head, is happy and trusting. Once she is able to see, however, the real world proves to be a letdown, and her humor...

Author: By Katherine C. Raff, | Title: Flirting, Fucking, Fight | 2/24/1994 | See Source »

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