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While R.W. was saying that, Chester Hickle was saying to no one in particular that one man out in the county "is a genius whittler. He whittled a wagon and a team of horses. He whittled a fiddler. He whittles elephants with ears afloppin'. He whittles mules with ears that work too." Still talking just to the air, Chester got up and said, "My arthritis. If I sit too long I have to get out and stir around a bit." On his way out the door, he passed a man who was just sticking his head...

Author: /time Magazine | Title: In Arkansas: Whittling Away | 6/11/1984 | See Source »

Rauch: The HRDC open book had a note in it the other day asking why we keep doing experimental crap, why don't we ever do Company or Fiddler on the Roof? What they don't realize is that those shows were incredibly innovative once. I don't want to cling to the innovations of the past; why museumize? It's perfectly fine to do, but it's not the same kind of risk-taking...

Author: By Amy E. Schwartz, | Title: The two masks of Harvard drama | 6/7/1984 | See Source »

Opening last Thursday night at Kirkland House and finishing with two shows tonight, Fiddler has received both standing ovations and rave reviews. The musical and acting ability of the cast deserves much acclaim, but the success of any production of Fiddler depends on the strength of the leading character, Tevye, who confides in God and the audience. According to director Grick Neher, "If the Tevye is strong, then the play is strong. If the Tevye is weak, then the play is weak." In this production of Fiddler the Tevye is very strong...

Author: By Melanie Moses, | Title: Upholding Tradition | 4/27/1984 | See Source »

...photographs of his high school's production of Fiddler, Sabath looks almost the same as he does on stage at Kirkland House five years later. He wears the same rust vest and flannel shirt belonging to his father. Although the Tevye's of then and now may appear similar, Sabath's portrayal of them is not the same. "Since I had already learned the lines I was able to concentrate more on the character and what he was experiencing," Sabath notes...

Author: By Melanie Moses, | Title: Upholding Tradition | 4/27/1984 | See Source »

...LAST TERM at Harvard, when Sabath is not on stage in Fiddler, or T.F.ing a course in information theory, he sings bass with the five-year-old Din and Tonics, one of two all-male a capella groups on campus. The Dins perform about 60 concerts a year and have traveled to Bermuda three times. Sabath considers singing with the Dins "the greatest part of my Harvard experience," providing him with an outlet for his love of the stage...

Author: By Melanie Moses, | Title: Upholding Tradition | 4/27/1984 | See Source »

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