Word: fidelio
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...such conductors as Pierre Monteux, Sir Thomas Beecham and Serge Koussevitzky. She retired in 1931, married Rockefeller in 1951 and became a generous patroness of music. Besides establishing the Martha Baird Rockefeller Fund for Music to aid young musicians, she backed the recent Metropolitan Opera productions of Norma and Fidelio and the New York City Opera's Rigoletto...
Everywhere last week, or so it seemed, music was celebrating the birth of one of its mightiest titans 200 years ago on an upper floor of Bonngasse 515, Bonn. New productions of Fidelio were unveiled at Stockholm's Royal Opera and New York's Metropolitan. Bonn capped months of festivities with the Missa solemnis. In Tokyo, where Beethoven is a rapture-inducing favorite, the Ninth Symphony was done twice in one day. In Los Angeles, Zubin Mehta, the Los Angeles Philharmonic and a phalanx of friends staged a twelve-hour Beethoven marathon. And in honor...
...artist, Beethoven's music evokes different deep, personal responses in different people. The one trait he symbolizes to everyone, however, is freedom-his own freedom as an artist, all men's freedom to live their own lives. Beethoven's loftiest hymn to that core symbol is Fidelio, which today has a special pertinence to those European countries, as Austrian Conductor Karl Böhm puts it, "that experienced foreign occupation and domination within the recent past." Thus it was thoroughly proper that the Met's new Fidelio was entrusted largely to Europeans, Böhm included...
...that Leonard Bernstein conducted Beethoven's Fidelio in Vienna, a son was born to U.S. Soprano Olive Moorefield of Vienna's Volksoper and her husband, Dr. Kurt Mach. "Love and congratulations," Bernstein wired, "for Oliver Kurt Fidelio." The parents were delighted and added Fidelio to the boy's name. "Think of the poor baby's fate," mused an Austrian TV commentator, "if Lenny had conducted Die Meistersinger von Nੜrnberg that evening...
...merciless ideals, but who relinquished all royalties on his works so that an edition of Bruckner could be published; a man who said just before his death that "poor Schoenberg will have no one left"; a man who spent all of his precious years perfecting his interoperations of Tristan, Fidelio, and The Magic Flute; a man who read Kant aloud to his wife during Children. The following tentative remarks are intended only to be suggestive, hopefully with minimum distortion, for to slightly alter Artur Schnabel's dictum, "Great composers are greater than they can be explained...