Word: fiends
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...parsimonious use of cheap, irresponsible quacks has helped make the mother a hopeless dope fiend. The elder brother is a cynical and shiftless lush, the 23-year-old O'Neill an unconfident and consumptive fledgling writer. Nothing happens: four people merely taunt and bludgeon and resent one another while slowly, and at length explosively, revealing themselves. The play's movement is not forward, but downward and inward. In bedeviling propinquity, the drunken and the drugged exhibit spectral moments of love and convulsive moments of guilt, make accusations that are in effect confessions, go in for cruelties that...
...What shall we call him? Coward, assassin, savage, murderer of women and babies? Or shall we consider them all as embodied in the word fiend, and call him Lincoln, the Fiend...
...Calgari, the Mummy, and even Frankenstein are gone. In their place are The Beast from 20,000 Fathoms, The Thing, and Lobo. In The Bride of the Monster, one of Bela Lugosi's last movies, the virile fiend of Dracula has become a rather prosaic old alchemist. It is as if Lugosi, like Varnoff, had at last capitulated to the modern emphasis on drawing the blood from healthy vampires...
Student of High Life. Rubinstein was born in Lodz, Poland, the youngest of seven children of a small manufacturer. By the time he was three, he was a "terrible little fiend" about music, screaming at his sisters when they struck a sour chord and banging the piano lid on their fingers to make them stop. Impressed with his son's possibilities, Papa Rubinstein bought him a child-sized violin. Artur promptly smashed it. Papa bought another, and Artur smashed that too. Papa gave up, let him concentrate on the then less fashionable piano...
...Tyrone family does not make a pretty picture. The mother (Inga Tidblad) is a dope fiend. The father is an actor (as O'Neill's father was) and a monumental skinflint. Jamie Tyrone is a wastrel and a drunkard like his father, and Edmund (Jarl Kulle), obviously patterned on O'Neill himself, is a consumptive. These four haunted characters spend their long day's journey into night gnawing at each other. They sit around the living room table drinking, talking, baring their minds, hating each other, yet cemented together in one miserable unit of family love...