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...achieves a new level of hilarity when he tags his Asian date with a marker in order to tell her apart from her equally Asian friend. Best Line: Michael, “C’mon, we’re going to Asian Hooters.” 3) The Fiesta (Season 3, Episode 13) Oscar is welcomed back to work after a three-month paid vacation he received after Michael unwittingly “outed” him. A Mexican-themed party given in Oscar’s honor becomes a homecoming for Dwight when Michael rescues him from...

Author: By Nayeli E. Rodriguez, CRIMSON STAFF WRITER | Title: Nayeli E. Rodriguez | 12/14/2007 | See Source »

Cabot House is still deciding whether to go with Mardi Gras or Mexican fiesta as its theme. But either way, the margaritas or mojitos will be virgin...

Author: By Aditi Banga and Victoria B. Kabak, CRIMSON STAFF WRITERSS | Title: Houses Prep For Tailgate Revelry | 11/14/2007 | See Source »

...biggest problems with “La Cucaracha” is its lack of any continuity whatsoever. “La Cucaracha” experiments with something different on every song, switching not-so-seamlessly between airy pop, reggae, progressive rock, techno, and even country. “Fiesta,” the opening track, blasts listeners with squealing horns and an upbeat, south-of-the-border feel that offers a false promise of good things to come. The next track, “Blue Balloon,” transports listeners to a mellow, nonsensical world that sounds like something...

Author: By Joshua J. Kearney, CONTRIBUTING WRITER | Title: Ween | 10/25/2007 | See Source »

...game by scoring the team’s first four goals through the first half. Unfortunately, the high turnover count (12 in the first half) caused Harvard to play at its end of the pool, leading to limited opportunities for shots. “It was a turnover fiesta in the first quarter,” head coach Erik Farrar said. “You usually get 40 possessions a game, we had 12 turnovers in the first half alone, do the math.” The Crimson, however, needed no mathematics to explain its second-half performance. Lewis opened...

Author: By Mauricio A. Cruz, CRIMSON STAFF WRITER | Title: Home, Sweet Home for Crimson in Blodgett Opener | 9/21/2007 | See Source »

...adaptation ends at a funeral - itself a ritualistic form of theater. But instead of an affirmation ("Let's turn this funeral into a fiesta," Agrado pleads) we get a dirge. Unlike the film, which offers an uplifting coda, the play closes with Rigg's melodramatic reading of a mother's threnody for a dead son from Federico García Lorca's Blood Wedding, which features only briefly in the film. It recounts the moment she finds his carcass: "I licked the blood because it was my blood," she says...

Author: /time Magazine | Title: Pedro Almodóvar: Mixed Company | 9/5/2007 | See Source »

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