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...JULIAN FIFER is a gentle, soft-spoken 19-year-old cellist who is a Columbia College sophomore. Before the Cambodian invasion and the student deaths at Kent State University, he says, "I hadn't reached the state within myself to be involved in anything political. I had my music. The disruption of everything this spring forced me into a commitment." It is a strong commitment. Recently he and four other students walked onto a building site in lower Manhattan where they spent more than four hours discussing their differences with the construction...

Author: /time Magazine | Title: Nation: How Goes the Second Children's Crusade? | 7/20/1970 | See Source »

Heady Days. Fifer is typical of the residue of tough-minded collegians left after a powerful but formless wave of students came rushing onto the scene in May to establish a beachhead in conventional politics. Summer started, school ended, and predictably most of the student volunteers have forsaken figurative for littoral beaches. But those who remain are hard at work registering voters, gathering petitions, computerizing, analyzing their mistakes in the spring primaries, interested in winning on the issues rather than losing with elan. Their principal goal in November is to elect a Congress that will end the Viet...

Author: /time Magazine | Title: Nation: How Goes the Second Children's Crusade? | 7/20/1970 | See Source »

...fact that he presented his themes in modern dress was enough to outrage viewers brought up on neoclassicism and romantic literary allusions. Manet discovered his clue to portraiture, and his fresh, vigorous palette, in the paintings of the 17th century painter Velásquez. In The Fifer, Manet even used the same greyish background Velásquez employed. Claude Monet, on the other hand, made his own discovery, that light acting and reacting over objects is all that the eye knows of them, and that color in shadows, far from being black, often strikes the eye more caressingly than...

Author: /time Magazine | Title: Art: Masterpieces of the Louvre: Part II | 7/7/1958 | See Source »

...accepted for the Luxembourg, including Renoir's Le Moulin de la Galette, Pissarro's Red Roofs. By 1911, opinion had swung round so completely that when Count Isaac de Camondo willed the Louvre 56 impressionist paintings (including Degas' Foyer de la Danse, Manet's The Fifer), they were accepted unanimously by the Curators' Committee...

Author: /time Magazine | Title: Art: Masterpieces of the Louvre: Part II | 7/7/1958 | See Source »

...Many chapters are titled with place-names, "Spaniard's Grave," "Millway Run," "The Copse," "The Ridge," "Sweetgum Spinney," "The Savannah," The hounds are catalogued, the author finding in the music of their names excuse for theft from Lyly, Burton, and Walt Whitman; "Bluebell and Burly, . . Old Drum, . . Rouster, . . Bugler, Fifer, Bounce, Nimble, Witchcraft, Warlock, and Wisdom. . . He told over their names, softly, for their names were autumnal melody ... Ringwood, Dashwood, Robin, Patrona, Pirate, Gadabout. . . Falstaff, Rockaby, Sweetheart, Tireless, Highlander, Pibroch, Chieftan, Crystal, Valkyrie, Beldame, Pickpocket, Tattler, Blackamoor, Dragoon, ... Tipster, Hector, Melodius, Lucifer, Strident, Chorister, Lark, Cherokee, Hurricane, Phoebe, Fanciful, Juno...

Author: By C. C. G., | Title: The Crimson Bookshelf | 3/12/1936 | See Source »

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