Word: fifteens
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Dates: during 1960-1969
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CRAIG HUNDLEY TRIO & ORCHESTRA (World Pacific). Here is an album that will make listeners want to throw themselves into the generation gap. At fifteen, Hundley cannot get a driver's license, but he can play the piano in stunning style. With Bassist Stuffy McKinney, 16, Drummer Gary Chase, 15, and a big band arranged by Don Sebesky and Allyn Ferguson, Hundley shows a flair for rock rhythms, displays an affection for Sonny Rollins tunes and contributes two appealing compositions...
...AFTER THE COMMITTEE OF FIFTEEN completed its disciplinary proceedings, the Freund Committee and the Joint Committee began considering the case of 14 Corporation appointees arrested in the April occupation. Last week. the Joint Committee announced what is likely to prove its most controversial decision. Jack Stauder, Instructor in Social Relations, and head of the radical course Soc Rel 149, had his two-year teaching appointment reduced to one year, with the stipulation that he cannot teach during the first semester of his remaining term as instructor. Twelve of the other 13 arrested are either not returning to Harvard...
Porter Square: about a fifteen minute walk north on Massachusetts Ave. from Harvard Square, Porter Square is the major business district for North Cambridge. The MBTA plans to extend its rapid transit to Porter Square (Harvard Square is now the end of the line) but lack of funds has held up the extension...
Instead of screaming there is eating. The typical freshman gains fifteen pounds in her first year of dorm life. Girls coming home after dates roam the kitchens looking for snacks. People eat ravenously at dinner as they discuss how fat they are getting and how bad the food is. By over-eating people repeat the vicious circle operating in all parts of dorm life: poor conditions cause strains which are temporarily relieved by aggravating the conditions...
...failure, more than the prose effulgence Reuben Brower meant when he said that "belief in nonsense depends only on suggestive repetition." Perhaps just a half dozen years ago most of us had never heard a note of Mahler's music; I remember my music teacher telling me at age fifteen that Mahler was "dark, tough to understand, an indisputable master," If we were fortunate we came to the First or Fourth Symphony first, and gradually realized tat, uniquely in this composer, all his works are mutually informing and illuminating, but none the easier for unprecedented unity...