Word: figaro
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Dates: during 1940-1949
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...Paris critics managed to look unblinkingly shocked. Sample, from Le Figaro: "Stripteases, bizarre morbidities, riots, drunken orgies, poker parties, shriekings, eroticism . . . obscenities and rapes, with just a bit of sexual deviation tossed in for good measure . . . Two years of fighting in line before countless theaters in two hemispheres for this tramway seems a strange kind of lunacy...
Like a kind of Gallic Colonel Blimp, Paris' conservative Le Figaro (circ. 390,000) takes French imperial prestige with deep seriousness. To awaken the same feeling in other Frenchmen, Le Figaro decided to dramatize what it considered the nation's deplorable indifference to the fact that the French colonial empire (73 million people) is now the world's largest. Le Figaro's correspondents polled 500 citizens, a cross section of the population, on French colonial geography. Last week the paper reported the gratifyingly horrendous results...
...show up its own readers, Le Figaro sprinkled nearby news columns with deliberate errors in geography. But the edition was hardly on the streets before phone calls from indignant readers began to. come in, denouncing the editors for taking a ruler to the French when they couldn't get things right themselves. By the time almost a hundred readers had caught a single error, Le Figaro's editors were ready to admit that 500 Frenchmen and 12 pollsters could be wrong...
...Marschallin's unripe lover, was not 27-year-old Contralto Bible's first operatic excursion in trousers: last year, she made the same kind of hit in her hurried debut as Cherubino in the City Center's fine production of Mozart's The Marriage of Figaro. But she is beginning to hope it may be her last. She has sung the role of Lola in Cavalleria Rusticana and Mercedes in Carmen, but feels that she still has to prove that she can also sing in skirts...
...traditional twelve-tone scale, Paris' newspaper Le Figaro wondered, "exhausted to the point where a new tone scale should take its place?" Or was it still possible "to discover new expressions and new harmonies" inside the old scale? In short, had musical composition become "a problem of vocabulary or a problem of style?" Last week, after mailing questionnaires to French composers to find out, Le Figaro had some answers...