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...Like Figaro, the titular character in Rossini’s opera “The Barber of Seville,” Lawrence E. Adjah ’06 is a jack-of-all-trades...

Author: By Daniel J. Hemel, CRIMSON STAFF WRITER | Title: A Staunch Advocate for Divestment | 6/9/2005 | See Source »

Whereas the fictional Figaro stirs chaos in the house of Count Almaviva, Adjah has helped the BSA make strides towards stability...

Author: By Daniel J. Hemel, CRIMSON STAFF WRITER | Title: A Staunch Advocate for Divestment | 6/9/2005 | See Source »

...pompous posturings. The delightful storybook production by Charles Ludlam, founder of New York's Ridiculous Theatrical Company, turns the opera into a tragicomedy in the vein of a 19th century melodrama, but one with a pointed moral. In a season that also includes Mozart's The Marriage of Figaro, Offenbach's Orpheus in the Underworld and Strauss's neglected Die Liebe der Danae, Santa Fe has proved once again that it is the most adventurous, if not to say eclectic, opera company around. --By Michael Walsh

Author: /time Magazine | Title: Music: When the Style Is No Style | 4/18/2005 | See Source »

Robinson is quite arbitrary in picking six cherished operas as his text, and even more so in including Schubert's two greatest song cycles, on the theory that they are "distinctly operatic." His basic argument is that Mozart's Marriage of Figaro expresses the Enlightenment's belief in reason and reconciliation, that Rossini's Barber of Seville reflects the post-Napoleonic withdrawal from emotional involvement, and that Schubert's Winterreise and Schne Mllerin represent the Romantics' concentration on the individual and his relationship to nature. Similarly, he asserts that Berlioz's Trojans dramatizes the 19th century's obsession...

Author: /time Magazine | Title: Upbeats: OPERA AND IDEAS: FROM MOZART TO STRAUSS | 4/18/2005 | See Source »

...once threatened to reveal the existence of Mitterrand's daughter Mazarine. A judgment in the case is expected in the coming months. "After all the court has heard, Mitterrand's appearance was disastrous," says Marie-Amélie Lombard-Latune, who covers the trial for the daily Le Figaro. "Here was this almost monarchic figure, deeply annoyed by the journalists' question, lying so shamelessly...

Author: /time Magazine | Title: Mitterrand Rising | 2/13/2005 | See Source »

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